"No one has telephoned from the Barbey-Nanteuil Bank?"
"No, madame."
Repressing a slight feeling of annoyance, Madame de Vibray changed the subject:
"You will have dinner served as soon as the guests arrive. They will not be later than half-past seven, I suppose."
Antoine bowed solemnly, vanished into the anteroom, and from thence gained the servants' hall.
Madame de Vibray quitted the small drawing-room. Traversing the great gallery with its glass roof, encircling the staircase, she entered the dining-room. Covers were laid for three.
Inspecting the table arrangements with the eye of a mistress of the house, she straightened the line of some plates, gave a touch of distinction to the flowers scattered over the table in a conventional disorder; then she went to the sideboard, where the major-domo had left a china pot filled with flowers. With a slight shrug, the Baroness carried the pot to its usual place—a marble column at the further end of the room:
"It was fortunate I came to see how things were! Antoine is a good fellow, but a hare-brained one too!" thought she.
Madame de Vibray paused a moment: the light from an electric lamp shone on the vase and wonderfully enhanced its glittering beauty. It was a piece of faience decorated in the best taste. On its graceful form the artist had traced the lines of an old colour print, and had scrupulously preserved the picture born of an eighteenth-century artist's imagination, with its brilliancy of tone and soft background of tender grey. Madame de Vibray could not tear herself away from the contemplation of it. Not only did the design and the treatment please her, but she also felt a kind of maternal affection for the artist: "This dear Jacques," she murmured, "has decidedly a great deal of talent, and I like to think that in a short time his reputation...."
Her reflections were interrupted by the servant. The good Antoine announced in a low voice, and with a touch of respectful reproach in his tone: