"Besides the Baroness we hardly saw anyone except Madame Bourrat, a very nice, kind woman, widow of an inspector of the City of Paris; she keeps a boarding-house at Auteuil, rue Raffet. In fact, I am staying with her now, for I had not the courage to go back to my brother's place: too many dreadful memories are connected with his studio there. I am lucky to find such a sympathetic friend in Madame Bourrat, and such a warm welcome.... I am alone now, and life is sad."
Fandor went on with his cross-examination:
"Nevertheless, mademoiselle, I must ask you to return in thought to that tragic home of yours. Please tell me what people you knew in your immediate neighbourhood? Acquaintances?"
Elizabeth considered:
"Acquaintances is the word, because we were not on really intimate terms with our neighbours in the Cité; for the most part they are either art students or work-people. However, we saw fairly often a nice man, a stranger, a Dutchman I think he was, called Monsieur Van Hoeren; he manufactures accordions; and lives in a little house opposite ours, with six children; he has been a widower for years! Also there was a Monsieur Louis, an engraver, who used to take tea with us in the evening sometimes, his wife also: he is employed in the Posts and Telegraphs. We had practically no other acquaintances."
Elizabeth stopped. There was a silence. Fandor asked another question:
"Tell me, mademoiselle, when you entered the studio for the first time after the tragedy, did you notice anything abnormal?"
The poor girl shuddered at the appalling picture before her mind's eye:
"Good Heavens, monsieur," she cried, "I did not examine the studio minutely! I had only one thought—to be with my brother, who had been so unjustly accused, so ..."
Fandor interrupted to ask: