Very true.
And this is the distinction which I draw between the sight-174loving, art-loving, practical class and those of whom I am [B]speaking, and who are alone worthy of the name of philosophers.
How do you distinguish them? he said.
The lovers of sounds and sights, I replied, are, as I conceive, fond of fine tones and colours and forms and all the artificial products that are made out of them, but their mind is incapable of seeing or loving absolute beauty.
True, he replied.
Few are they who are able to attain to the sight of this.
[C] Very true.
And he who, having a sense of beautiful things has no sense of absolute beauty, or who, if another lead him to a knowledge of that beauty is unable to follow—of such an one I ask, Is he awake or in a dream only? Reflect: is not the dreamer, sleeping or waking, one who likens dissimilar things, who puts the copy in the place of the real object?
I should certainly say that such an one was dreaming.
True knowledge is the ability to distinguish between the one and many, between the idea and the objects which partake of the idea. But take the case of the other, who recognises the existence [D]of absolute beauty and is able to distinguish the idea from the objects which participate in the idea, neither putting the objects in the place of the idea nor the idea in the place of the objects—is he a dreamer, or is he awake?