XXI. RESULTS OF LONGINUS'S CRITICISM AND VINDICATION OF PLOTINOS'S ORIGINALITY.

From the above it will be seen that Plotinos and Amelius are superior to all their contemporaries by the great number of questions they consider, and by the originality of their system; that Plotinos had not appropriated the opinions of Numenius, and that he did not even follow them; that he had really profited by the opinions of the Pythagoreans (and of Plato); further, that he was more precise than Numenius, Cronius, and Thrasyllus. After having said that Amelius followed in the footsteps of Plotinos, but that he was prolix and diffuse in his expositions, which characteristic forms the difference between their styles, he speaks of me, who at that time had known Plotinos for only a short time, and says, "Our mutual friends, Basil (King) of Tyre (Porphyry), who has written much, taking Plotinos as his model." By that he means that I have avoided the rather unphilosophical diffuseness of Amelius, and have imitated the (concise) style of Plotinos. The quotation of the judgment of this famous man, the first critic of his day, should decide of the reverence due to our philosopher, Plotinos. If I had been able to visit Longinus when he begged me to do so, he would not have undertaken the refutation he wrote, before having clearly understood Plotinos's system.

XXII. THE APOLLONIAN ORACLE ABOUT PLOTINOS.

(But when I have a long oracle of Apollo to quote, why should I delay over a letter of Longinus's, or, in the words of the proverb, quoted in Iliad xxii. 126 and Hesiod Theogony 35), "Why should I dally near the oak-trees, or the rock?" If the testimony of the wise is to be adduced, who is wiser than Apollo, a deity who said of himself, "I know the number of the grains of sand, and the extent of the ocean; I understand the dust, and I hear him who does not speak!" This was the divinity who had said that Socrates was the wisest of men; and on being consulted by Amelius to discover what had become of the soul of Plotinos, said:

"Let me sing an immortal hymn to my dear friend!

Drawing my golden bow, I will elicit melodious sounds from my lyre.

I also invoke the symphonic voice of the choir of Muses,

Whose harmonious power raises exultant paeans,

As they once sang in chorus in praise of Achilles,