Consequently, there is everywhere a return to unity—for there is for everything a unity to which it may be reduced. Consequently, the universe must be derived from the unity that is superior to it; and as this unity is not absolutely simple, it must itself be derived from a still superior unity, and so on until we arrive at the absolutely simple Unity, which cannot be reduced to any other. Therefore, considering what is in a tree—that is, its permanent principle—or what is unitary in an animal, in a soul, or in the universe, you will everywhere have that which is most powerful and precious. If, at last, you consider that unity of the things that really exist, that is, their principle, their source, their (productive) power, can you doubt its reality, and believe that this principle amounts to nothing? Certainly this principle is none of the things of which it is the principle; it is such that nothing could be predicated of it, neither essence, nor being, nor life, because it is superior to all of it. If you grasp it, by abstracting from it even being, you will be in ecstasy. By directing your glance towards it, by reaching it, and resting in it, you will get a unitary and simple intuition thereof; you will conceive of its greatness by both itself and its derivatives.
THE SUPREME IS NOT INTELLIGENCE, WHICH ASPIRES TO THE FORM OF THE GOOD.
11. (10). A further consideration. Since intelligence is a sort of intuition, namely, a seeing (or actualizing) intuition (or vision), it really consists of a potentiality that has passed into actualization. It will therefore contain two elements, which will play the parts of (intelligible) matter,[198] and of form, just like actualized vision,[199] for actualized vision also implies duality. Therefore intuition, before being actualized, was unity. Thus unity has become duality, and duality has become unity. (Sense-) vision receives from sense-objects its fulness, and its perfection, so to speak. As to intellectual vision, however, its fulness comes from a principle that is the Good. Now if intelligence were the Good itself, what would be the use of its intuition or its actualization? Other beings, indeed, aspire to the Good, as the goal of their activity; but the Good itself has need of nothing; and therefore possesses nothing but itself.[200] After having named it, nothing should be added thereto by thought; for, to add something, is to suppose that He needs this attribute. Not even intelligence should be attributed to Him; that would be introducing therein something alien, distinguishing in Him two things, Intelligence and the Good. Intelligence needs the Good, but the Good has no need of Intelligence. On achieving the Good, Intelligence takes its form, for it derives its form from the Good; and it becomes perfect, because it assumes the nature (of the Good). The model (or, archetype) must be judged by the trace it leaves in Intelligence, conceiving of its true character according to the impression it leaves. Only by this impression does Intelligence behold and achieve the Good. That is why Intelligence aspires to the Good; and as Intelligence ever aspires to the Good, Intelligence ever achieves it. The Good itself, however, never aspires to anything; for what could He desire? Nor does He achieve anything, since He desires nothing.[201] Therefore (the Supreme) is not Intelligence, which ever desires, and aspires to the form of Good.
THE GOOD AS SUPREME NEITHER NEEDS NOR POSSESSES INTELLECTION.
No doubt Intelligence is beautiful; it is the most beautiful of things, since it is illuminated by a pure light, since it shines with a pure splendor, and contains the intelligible beings of which our world, in spite of its beauty, is but an adumbration and image. The intelligible world is located in a region resplendent with clearness, where is nothing either obscure or indefinite, where, within itself, it enjoys a blissful life. It entrances the human gaze, especially when one knows how to commune with it. But just as a view of heaven, and the splendor of the stars leads one to seek and conceive their author, likewise the contemplation of the intelligible world, and the fascination it exerts leads (the beholder) to seek its author. The question then arises, Who is He who has given existence to the intelligible world? Where and how did He beget this so pure Intellect, this so beautiful son who derives all of his fulness from his father[202]? This supreme Principle itself is neither Intelligence nor son, but is superior to Intelligence, which is His son. Intelligence, His son, succeeds Him, because the son needs to receive from the father both intellection and fulness, which is his food; so (the son) holds the first rank after Him who has need of nothing, not even intellection. Nevertheless Intelligence possesses fulness and true intellection, because it immediately participates in the Good. Thus the Good, being above real fulness and intellection, neither possesses them, nor needs them; otherwise, He would not be the Good.
[FIFTH ENNEAD, BOOK EIGHT.]
Concerning Intelligible Beauty.
ART MAKES A STATUE OUT OF ROUGH MARBLE.
1. Since he who rises to the contemplation of the intelligible world, and who conceives the beauty of true intelligence, can also, as we have pointed out, by intuition grasp the superior Principle,[203] the Father of Intelligence, let us, so far as our strength allows us, try to understand and explain to ourselves how it is possible to contemplate the beauty of Intelligence and of the intelligible world. Let us imagine two pieces of marble placed side by side, the one rough and inartistic, the other one fashioned by the sculptor's chisel, who made of it the statue of a goddess, a grace, or a muse; or that of a man—but not that of any individual whatever, but that of a (cultured gentle) man in whom art would have gathered all the traits of beauty offered by different individuals. After having thus from art received the beauty of the form, the second marble will appear beautiful, not by virtue of its essence, which is to be stone—for otherwise the other block would be as beautiful as this one—but because of the form received through art. The latter, however, did not exist in the matter of the statue. It was in the thought of the artist that it existed before passing into the marble; and it existed therein, not because it had eyes and hands, but because it participated in art. It was therefore in art that this superior beauty existed. It could not have become incorporated in stone. Dwelling within itself, it begat an inferior form, which, passing into matter, could neither preserve all its purity, nor completely respond to the will of the artist, possessing no perfection other than that allowed by matter. As the nature of art is to produce beauty, if art succeed in producing beauty which conforms to its constitutive essence, then, by the possession of the beauty essential to it, art possesses a beauty still greater and truer than that which passes into exterior objects. As all form extends by passing into matter, (this objectified form) is weaker than that which remains one. All that extends abandons its own (nature), as do force, heat, and in general any property; likewise with beauty. Every creating principle is always superior to the created thing. It is not the lack of musical ability, but the music itself that creates the musician; while it is the intelligible music that creates the sense music. It has been attempted to degrade the arts by saying that to create they imitate nature. This may be answered by pointing out that the natures of beings are themselves the images of other beings (or essences); besides, the arts do not limit themselves to the imitation of objects which offer themselves to our view, but that they go as far back as the (ideal) reasons from which are derived the nature of objects. Further the arts independently create many things, and to the perfection of the object they add what is lacking, because they possess beauty in themselves. Phidias seems to have represented Jupiter without copying any sense-objects, conceiving him such as he would appear to us if he ever revealed himself to our eyes.[204]