BENEFITS OF THIS CONVERSION TOWARDS THE DIVINITY.
The advantages derived from this conversion towards the divinity are first self-consciousness, so long as he remains distinct from the divinity. If he penetrate into his interior sanctuary, he possesses all things, and renouncing self-consciousness in favor of indistinction from the divinity, he fuses with it. As soon as he desires to see something, so to speak, outside of himself, it is he himself that he considers, even exteriorly. The soul that studies the divinity must form an idea of him while seeking to know him. Later, knowing how great is that divinity to which she desires to unite herself, and being persuaded that she will find beatitude in this union, she plunges herself into the depths of the divinity until, instead of contenting herself with contemplating the intelligible world, she herself becomes an object of contemplation, and shines with the clearness of the conceptions whose source is on high.
HOW THE SOUL MAY BE UNITED TO THE DIVINITY WITHOUT SEEING HIM.
But how can one be united to beauty, without seeing it? If it be seen as some thing distinct from oneself, he is not yet fused with it. If the act of vision imply a relation with an exterior object, we have no vision; or, at least, this vision consists in the identity of seer and seen. This vision is a kind of conscience, of self-consciousness; and if this feeling be too acute, there is even danger of breaking up this unity. Besides, one must not forget that the sensations of evils make stronger impressions, and yield feebler knowledge, because the latter are frittered away by the force of impressions. Thus sickness strikes sharply (but arouses only an obscure notion); health, on the contrary, thanks to the calm that characterizes it, yields us a clearer notion of itself, for it remains quietly within us, because it is proper to us, and fuses with us. On the contrary, sickness is not proper to us, but foreign. Consequently it manifests itself vividly, because it is opposed to our nature; while we, on the contrary, enjoy but a feeble feeling of ourselves and of what belongs to us. The state in which we grasp ourselves best is the one in which our consciousness of ourselves fuses with us. Consequently on high, at the very moment when our knowledge by intelligence is at its best, we believe that we are ignorant of it, because we consult sensation, which assures us that it has seen nothing. Indeed it has not seen anything, and it never could see anything such (as the intelligible beings). It is therefore the sensation that doubts; but he who has the ability to see differs therefrom. Before the seer could doubt, he would have to cease believing in his very existence; for he could not, so to speak, externalize himself to consider himself with the eyes of the body.
NATURE OF THE OBJECT OF SPIRITUAL VISION.
12. We have just said that a man can see, either in differing from what he sees, or in identifying himself with the object seen. Now, when he has seen, either as being different, or as being identical, what does he report? He tells us that he has seen the Divinity beget an offspring of an incomparable beauty, producing everything in Himself, and without pain preserving within Himself what He has begotten. In fact, charmed with the things He has begotten, and full of love for his works, the Divinity retained them within Himself, congratulating Himself upon their splendor, as much as upon his own. In the midst of these beauties, nevertheless inferior to those which have remained within the nature of the Divinity, alone of all these beings, his Son (Jupiter, the son of Saturn, here representing the universal Soul born of divine Intelligence) has manifested himself externally. By him, as by an image, you may judge of the greatness of his Father, and that of his brothers still unissued from within their Father's nature. Besides, it is not in vain that Jupiter tells us that he proceeds from his Father; for he constitutes another world that has become beautiful, because he is the image of beauty, and because it is impossible that the image of beauty and being should not itself be beautiful. Jupiter, therefore, everywhere imitates his archetype. That is why, because he is an image, he possesses life and constitutes being; and that is why, because he proceeds from his Father, he also possesses beauty. He likewise enjoys the privilege of being the image of his eternity. Otherwise he would at one time reveal the image of his Father, and at other times he would not; which is impossible, because he is not an artificial image. Every natural image remains what it was, so long as its archetype subsists.[239] It is therefore an error to believe that, while the intelligible world subsists, the visible world could perish, and that it was begotten in such a manner as that he who had created it, had done so with deliberation. Whatever indeed might have been the manner of operation, these men[240] do not wish to conceive and believe that, so long as the intelligible world shines, other things that proceed therefrom could not perish; and that they exist ever since (their model) existed. But the (intelligible world) has ever existed, and will ever exist; for (in spite of their impropriety), we are obliged to make use of such terms to express our thought.
SATURN IS SON OF COELUS, AND FATHER OF JUPITER.
13. (Saturn) is always represented as chained, because He remains immovable in his identity. It is said he gave up to his son, Jupiter, the government of the universe, because such (an occupation) did not suit Him, who possesses the fulness[241] of good things,[242] to distract himself from the government of the intelligible world to undertake that of an empire younger and less exalted than himself. Besides, on one hand, (Saturn) fixed within himself, and raised himself up to his father (Coelus, or Uranus). On the other hand, he likewise fixed the inferior things which were begotten by his son (Jupiter). Between both he (Saturn) therefore occupies a rank intermediary between his Father, who is more perfect and his son, who is less so. On one hand he mutilates his Father, by splitting primitive unity into two different elements. On the other, he raises himself above the being which is inferior to him, disengaging himself from the chains that might tend to lower him. As (Coelus), the father of (Saturn), is too great to admit of having beauty attributed to him, (Saturn) occupies the first rank of beauty.