When we were treating of things that were qualified, we had already explained that matter, united to quantity, and taken with other things, constitutes sense-being; that this "being" seems to be a composite of several things, that it is not properly a "whatness,"[396] but rather qualification (or, qualified thing). The ("seminal) reason," for instance that of fire, has more of a reference to "whatness," while the form that the reason begets is rather a qualification. Likewise, the ("seminal) reason" of man is a "whatness," whilst the form that this reason gives to the body, being only an image of reason, is rather a qualification. Thus if the Socrates that we see was the genuine Socrates, his mere portrait composed of no more than colors would also be called Socrates. Likewise, although this ("seminal) reason" of Socrates be that which constitutes the genuine Socrates, we nevertheless also apply the name of Socrates to the man that we see; yet the colors, or the figure of the Socrates we see, are only the image of those which are contained by his ("seminal) reason." Likewise, the reason of Socrates is itself only an image of the veritable reason (of the idea) of the man. This is our solution of the problem.[397]
THE VARIOUS TERMS EXPRESSING QUALITY.
16. When we separately consider each of the things which compose sense-being and when we wish to designate the quality which exists among them, we must not call it "whatness," any more than quantity or movement, but rather name it a characteristic, employing the expressions "such," "as," and "this kind." We are thus enabled to indicate beauty and ugliness, such as they are in the body. Indeed, sense-beauty is no more than a figure of speech,[343] in respect to intelligible beauty; it is likewise with quality, since black and white are also completely different (from their "reason," or their idea).
THE SEMINAL REASON HARMONIZES WITH ITS APPEARING ACTUALIZATION.
Is the content of ("seminal) reason" and of a particular reason, identical with what appears, or does it apply thereto only by a figure of speech?[343] Should it properly be classified among the intelligible, or the sense-objects? Sensual beauty of course evidently differs from intelligible beauty; but what of ugliness—in which classification does it belong? Must virtue be classified among intelligible or sensual qualities, or should we locate some in each class? (All this uncertainty is excusable, inasmuch) as it may be asked whether even the arts, which are "reasons," should be classified among sense-qualities? If these reasons be united to a matter, they must have matter as their very soul. But what is their condition here below, when united to some matter? These reasons are in a case similar to song accompanied by a lyre;[398] this song, being uttered by a sense-voice, is in relation with the strings of the lyre, while simultaneously being part of the art (which is one of these "seminal reasons"). Likewise, it might be said that virtues are actualizations, and not parts (of the soul). Are they sense-actualizations? (This seems probable), for although the beauty contained in the body be incorporeal, we still classify it among the things which refer to the body, and belong to it. As to arithmetic, and geometry, two different kinds must be distinguished: the first kind deals with visible objects, and must be classified among sense-objects; but the second kind deals with studies suitable to the soul, and should therefore be classified among intelligible entities. Plato[399] considers that music and astronomy are in the same condition.
MANY OTHER CONCEPTIONS BELONG AMONG SENSE-QUALITIES.
Thus the arts which relate to the body, which make use of the organs, and which consult the senses, are really dispositions of the soul, but only of the soul as applied to corporeal objects; and consequently, they should be classified among sense-qualities.[400] Here also belong practical virtues, such as are implied by civil duties, and which, instead of raising the soul to intelligible entities, fructify in the actions of political life, and refer to them, not as a necessity of our condition, but as an occupation preferable to everything else.[401] Among these qualities we shall have to classify the beauty contained in the ("seminal) reason," and, so much the more, black and white.
IN SPITE OF THIS CLASSIFICATION THE SOUL HERSELF REMAINS INCORPOREAL.
But is the soul herself a sense-being, if she be disposed in a particular way, and if she contain particular "reasons" (that is, faculties, virtues, sciences and arts, all of which refer to the body, and which have been classified as sense-qualities)?[402] It has already been explained that these "reasons" themselves are not corporeal; but that they have been classified among sense-qualities only because they referred to the body, and to the actions thereby produced. On the other hand, as sense-quality has been defined as the meeting of all the above enumerated entities, it is impossible to classify incorporeal Being in the same genus as the sensual being. As to the qualities of the soul, they are all doubtless incorporeal, but as they are experiences (or, sufferings, or, passions) which refer to terrestrial things, they must be classified in the genus of quality, just as the reasons of the individual soul. Of the soul we must therefore predicate experience, however dividing the latter in two elements, one of which would refer to the object to which it is applied, and the other to the subject in which it exists.[403] Though then these experiences cannot be considered as corporeal qualities, yet it must be admitted they relate to the body.[404] On the other hand, although we classify these experiences in the genus of quality, still the soul herself should not be reduced to the rank of corporeal being. Last, when we conceive of the soul as without experiences, and without the "reasons" above-mentioned, we are thereby classifying her along with the World from which she descends,[405] and we leave here below no intelligible being, of any kind whatever.