Complete Works of Plutarch — Volume 3: Essays and Miscellanies

by Plutarch

The last of the three which remains to be spoken of is he that is invited by one man to another's feast. Now he that disdains and is so much offended at the name of a shadow will appear to be afraid of a mere shadow. But in this matter there is need of a great deal of caution, for it is not creditable readily to go along with every one and to everybody. But first you must consider who it is that invites; for if he is not a very familiar friend, but a rich or great man, such who, as if upon a stage, wants a large or splendid retinue, or such who thinks that he puts a great obligation upon you and does you a great deal of honor by this invitation, you must presently deny. But if he is your friend and particular acquaintance, you must not yield upon the first motion: but if there seems a necessity for some conversation which cannot be put off till another time, or if he is lately come from a journey or designs to go on one, and out of mere good-will and affection seems desirous of your company, and doth not desire to carry a great many, or strangers, but only some few friends along with him; or, besides all this, if he designs to bring you thus invited acquainted with the principal inviter, who is very worthy of your acquaintance, then consent and go. For as to ill-humored persons, the more they seize and take hold of us like thorns, we should endeavor to free ourselves from them or leap over them the more. If he that invites is a civil and well-bred person, yet doth not design to carry you to one of the same temper, you must refuse, lest you should take poison in honey, that is, get the acquaintance of a bad man by an honest friend. It is absurd to go to one you do not know, and with whom you never had any familiarity, unless, as I said before, the person be an extraordinary man, and, by a civil waiting, upon him at another man's invitation, you design to begin an acquaintance with him. And those friends you should chiefly go to as shadows, who would come to you again in the same quality. To Philip the jester, indeed, he seemed more ridiculous that came to a feast of his own accord than he that was invited; but to well-bred and civil friends it is more obliging for men of the same temper to come at the nick of time with other friends, when uninvited and unexpected; at once pleasing both to those that invite and those that entertain. But chiefly you must avoid going to rulers, rich or great men, lest you incur the deserved censure of being impudent, saucy, rude, and unseasonably ambitious.

QUESTION VII. WHETHER FLUTE-GIRLS ARE TO BE ALLOWED AT A FEAST? DIOGENIANUS, A SOPHIST, PHILIP.

At Chaeronea, Diogenianus the Pertamenian being present, we had a long discourse once at an entertainment about music; and we had a great deal of trouble to hold out against a great bearded sophister of the Stoic sect, who quoted Plato as blaming a company that admitted flute-girls and were not able to entertain one another with discourse. And Philip the Prusian, of the same sect, said: Those guests of Agatho, whose discourse was more sweet than the sound of any pipe in the world, were no good authority in this case; for it was no wonder that in their company the flute-girl was not regarded; but it is strange that, in the midst of the entertainment, the extreme pleasantness of the discourse had not made them forget their meat and drink. Yet Xenophon thought it not indecent to bring in to Socrates, Antisthenes, and the like the jester Philip; as Homer doth an onion to make the wine relish. And Plato brought in Aristophanes's discourse of love, as a comedy, into his entertainment; and at the last, as it were drawing all the curtains, he shows a scene of the greatest variety imaginable,—Alcibiades drunk, frolicking, and crowned. Then follows that pleasant raillery between him and Socrates concerning Agatho, and the encomium of Socrates; and when such discourse was going on, good gods! Had it not been allowable, if Apollo himself had come in with his harp ready to desire the god to forbear till the argument was out? These men, having such a pleasant way of discoursing, used these arts and insinuating methods, and graced their entertainment's by such facetious raillery. But shall we, being mixed with tradesmen and merchants, and some (as it now and then happens) ignorants and rustics, banish out of our entertainments this ravishing delight, or fly the musicians, as if they were Sirens, as soon as we see them coming? Clitomachus the wrestler, rising and getting away when any one talked of love, was much wondered at; and should not a philosopher that banisheth music from a feast, and is afraid of a musician, and bids his link boy presently light his link and be gone, be laughed at, since he seems to abominate the most innocent pleasures, as beetles do ointment? For, if at any time, certainly over a glass of wine, music should be permitted, and then chiefly the harmonious god should have the direction of our souls; so that Euripides, though I like him very well in other things, shall never persuade me that music, as he would have it, should be applied to melancholy and grief. For there sober and serious reason, like a physician, should take care of the diseased men; but those pleasures should be mixed with Bacchus, and serve to increase our mirth and frolic. Therefore it was a pleasant saying of that Spartan at Athens, who, when some new tragedians were to contend for the prize, seeing the preparations of the masters of the dances, the hurry and busy diligence of the instructors, said, the city was certainly mad which sported with so much pains. He that designs to sport should sport, and not buy his case and pleasure with great expense, or the loss of that time which might be useful to other things; but whilst he is feasting and free from business, those should be enjoyed. And it is advisable to try amidst our mirth, whether any profit is to be gotten from our delights.

QUESTION VIII. WHAT SORT OF MUSIC IS FITTEST FOR AN ENTERTAINMENT? DIOGENIANUS, A SOPHIST, PHILIP.

When Philip had ended, I hindered the sophister from returning an answer to the discourse, and said: Let us rather inquire, Diogenianus, since there are a great many sorts of music, which is fittest for an entertainment. And let us beg this learned man's judgment in this case; for since he is not prejudiced or apt to be biased by any sort, there is no danger that he should prefer that which is pleasantest before that which is best. Diogenianus joining with me in this request, he presently began. All other sorts I banish to the theatre and playhouse, and can only allow that which hath been lately admitted into the entertainments at Rome, and with which everybody is not yet acquainted. You know, continued he, that some of Plato's dialogues are purely narrative, and some dramatic. The easiest of this latter sort they teach their children to speak by heart; making them to imitate the actions of those persons they represent, and to form their voice and affections to be agreeable to the words. This all the grave and well-bred men exceedingly admire; but soft and effeminate fellows, whose ears ignorance and ill-breeding hath corrupted, and who, as Aristoxenus phraseth it, are ready to vomit when they hear excellent harmony, reject it; and no wonder, when effeminacy prevails.

Philip, perceiving some of the company uneasy at this discourse, said: Pray spare us, sir, and be not so severe upon us; for we were the first that found fault with that custom when it first began to be countenanced in Rome, and reprehended those who thought Plato fit to entertain us whilst we were making merry, and who would hear his dialogues whilst they were eating cates and scattering perfumes. When Sappho's songs or Anaereon's verses are recited, I protest I think it decent to set aside my cup. But should I proceed, perhaps you would think me much in earnest, and designing to oppose you, and therefore, together with this cup which I present my friend, I leave it to him to wash your salt ear with fresh discourse.

Then Diogenianus, taking the cup, said: Methinks this is very sober discourse, which makes me believe that the wine doth not please you, since I see no effect of it; so that I fear I ought to be corrected. Indeed, many sorts of music are not to be rejected; first, tragedy, as having nothing familiar enough for an entertainment, and being a representation of actions attended with grief and extremity of passion. I reject the sort of dancing which is called Pyladean from Pylades, because it is full of pomp, very pathetical, and requires a great many persons; but if we would admit any of those sorts that deserve those encomiums which Socrates mentions in his discourse about dancing, I like that sort called Bathyllean, which requires not so high a motion, but hath something of the character of the Cordax, and resembles the motion of an Echo, a Pan, or a Satyr frolicking with love. Old comedy is not fit for men that are making merry, by reason of the excuses that appear in it; for that vehemency which they use in the parabasis is loud and indecent, and the liberty they take to scoff and abuse is very surfeiting, too open, and full of filthy words and lewd expressions. Besides, as at great men's tables every man hath a servant waiting at his elbow, so each of his guests would need a grammarian to sit by him, and explain who is Laespodias in Eupolis, Cinesias in Plato, and Lampo in Cratinus, and who is each person that is jeered in the play. Concerning new comedy there is no need of any long discourse. It is so fitted, so interwoven with entertainments, that it is easier to have a regular feast without wine, than without Menander. Its phrase is sweet and familiar, the Humor innocent and easy, so that there is nothing for men whilst sober to despise, or when merry to be troubled at. The sentiments are so natural and unstudied, that midst wine, as it were in fire, they soften and bend the rigidest temper to be pliable and easy. And the mixture of gravity and jests seems to be contrived for nothing so aptly as for the pleasure and profit of those that are frolicking and making merry. The love-scenes in Menander are convenient for those who have already drunk their cups, and who in a short time must retire home to their wives; for in all his plays there is no love of boys mentioned, and all rapes committed on virgins and decently in marriages at last. As for misses, if they are impudent and jilting, they are bobbed, the young gallants turning sober, and repenting of their lewd courses. But if they are kind and constant, either their true parents are discovered, or a time is determined for intrigue, which brings them at last to obliging modesty and civil kindness. These things to men busied about other matters may seem scarce worth taking notice of; but whilst they are making merry, it is no wonder that the pleasantness and smoothness of the parts should work a neat conformity and distinction in the hearers and make their manners like the pattern they have from those genteel characters.

Diogenianus, either designedly or for want of breath ended thus. And when the sophister attacked him again, and contended that some of Aristophanes's verses should be read, Philip speaking to me said: Diogenianus hath had his wish in praising his beloved Menander, and seems not to care for any of the rest. There are a great many sorts which we have not at all considered, concerning which I should be very glad to have your opinion; and the prize for the carvers we will set up to-morrow, when we are sober, if Diogenianus and this stranger think fit. Of representations, said I, some are allegorical, and some are farces; neither of these are fit for an entertainment; the first by reason of their length and cost, and the latter being so full of filthy discourse and lewd actions, that they are not fit to be seen by the foot-boys that wait on civil masters. Yet the rabble, even with their wives and young sons, sit quietly to be spectators of such representations as are apt to disturb the soul more than the greatest debauch in drink. The harp ever since Homer's time was well acquainted with feasts and entertainments, and therefore it is not fitting to dissolve such an ancient friendship and acquaintance; but we should only desire the harpers to forbear their sad notes and melancholy tunes, and play only those that are delighting, and fit for such as are making merry. The pipe, if we would, we cannot reject, for the libation in the beginning of the entertainment requires that as well as the garland. Then it insinuates and passeth through the ears, spreading even to the very soul a pleasant sound, which produceth serenity and calmness; so that, if the wine hath not quite dissolved or driven away all vexing solicitous anxiety this, by the softness and delightful agreeableness of its sound, smooths and calms the spirits, if so be that it keeps within due bounds, and doth not elevate too much, and, by its numerous surprising divisions, raise an ecstasy in the soul which wine hath weakened and made easy to be perverted. For as brutes do not understand a rational discourse, yet lie down or rise up at the sound of a shell or whistle, or of a chirp or clap; so the brutish part of the soul, which is either incapable of understanding or obeying reason, men conquer by songs and tunes, and by music reduce it to tolerable order. But to speak freely what I think, no pipe nor harp simply played upon, and without a song with it, can be very fit for an entertainment. For we should still accustom ourselves to take our chiefest pleasure from discourse, and spend our leisure time in profitable talk, and use tunes and airs as a sauce for the discourse, and not singly by themselves, to please the unreasonable delicacy of our palate. For as nobody is against pleasure that ariseth from sauce or wine going in with our necessary food, but Socrates flouts and refuseth to admit that superfluous and vain pleasure which we take in perfumes and odors at a feast; thus the sound of a pipe or harp, when singly applied to our ears, we utterly reject, but if it accompanies words, and together with an ode feasts and delights our reason, we gladly introduce it. And we believe the famed Marsyas was punished by Apollo for pretending, when he had nothing but his single pipe, and his muzzle to apply to his lips, to contend with the harp and song of the god. Let us only take care that, when we have such guests as are able to cheer one another with philosophy and good discourse we do not introduce anything that may rather prove an uneasy hindrance to the conversation than promote it. For not only those are fools, who, as Euripides says, having safety at home and in their own power, yet would hire some from abroad; but those too who, having pleasantness enough within, are eager after some external pastimes to comfort and delight them. That extraordinary piece of honor which the Persian king showed Antalcidas the Spartan seemed rude and uncivil, when he dipped a garland composed of crocus and roses in ointment, and sent it him to wear, by that dipping putting a slight upon and spoiling the natural sweetness and beauty of the flowers. He doth as bad, who having a Muse in his own breast, and all the pleasantness that would fit an entertainment, will have pipes and harps play, and by that external adventitious noise destroy all the sweetness that was proper and his own. But in short, all ear-delights are fittest then, when the company begins to be disturbed, to fall out, and quarrel, for then they may prevent raillery and reproach, and stop the dispute that is running on to sophistical and unpleasant wrangling, and bridle all babbling declamatory altercations, so that the company may be freed of noise and quietly composed.

QUESTION IX. THAT IT WAS THE CUSTOM OF THE GREEKS AS WELL AS PERSIANS TO DEBATE OF STATE AFFAIRS AT THEIR ENTERTAINMENTS. NICOSTRATUS, GLAUCIAS.

At Nicostratus's table we discoursed of those matters which the Athenians were to debate of in their next assembly. And one of the company saying, It is the Persian fashion, sir, to debate midst your cups; And why, said Glaucias rejoining, not the Grecian fashion? For it was a Greek that said,