After this, a match of dancing was proposed, and a cake was the prize. The judges were Meniscus the dancing-master, and my brother Lamprias; for he danced the Pyrrhic very well, and in the Palaestra none could match him for the graceful motion of his hands and arms in dancing. Now a great many dancing with more heat than art, some desired two of the company who seemed to be best skilled and took most care to observe their steps, to dance in the kind called [Greek omitted]. Upon this Thrasybulus, the son of Ammonius, demanded what [Greek omitted] signified, and gave Ammonius occasion to run over most of the parts of dancing.
He said they were three,—[Greek omitted], [Greek omitted] and [Greek omitted]. For dancing is made up of motion and manner [Greek omitted] as a song of sounds and stops; stops are the ends of motion. Now the motions they call [Greek omitted], and the gestures and likeness to which the motions tend, and in which they end, they call [Greek omitted]: as, for instance, when by their own motions they represent the figure of Apollo, Pan, or any of the raging Bacchae. The third is [Greek omitted]; which is not an imitation, but a plain downright indication of the things represented. For as the poets, when they would speak of Achilles, Ulysses, the earth, or heaven, use their proper names, and such as the vulgar usually understand. But for the more lively representation, they use such words as by their very sound express some eminent quality in the thing, or metaphors; as when they say that streams do "babble and flash"; that arrows fly "desirous the flesh to wound"; or when they describe an equal battle by saying "the fight had equal heads." They have likewise a great many significative compositions in their verses. Thus Euripides of Perseus,
He that Medusa slew, and flies in air;
and Pindar of a horse,
When by the smooth Alpheus's banks
He ran the race, and never felt the spur;
and Homer of a race,
The chariots, overlaid with tin and brass,
By fiery horses drawn ran swiftly on.
(Euripedes, Frag. 975; Pindar, "Olympian," i. 31;
"Iliad," xxiii. 503.)
So in dancing, the [Greek omitted] represents the shape and figure, the [Greek omitted] shows some action, passion, or power; but by the [Greek omitted] are properly and significatively shown the things themselves, for instance, the heaven, earth, or the company. Which, being done in a certain order and method, resembles the proper names used in poetry, decently clothed and attended with suitable epithets. As in these lines,
Themis the venerable and admired,
And Venus beauteous with her bending brows,
Fair Dione, and June crowned with gold.
(Hesiod, "Theogony," 16.)
And in these,