And (O. xv. 494):—
Struck and smitten seeing fate and death, he fell heroicly
from the sword. So those challenged to single combat obey
fearlessly, and several arise to take the place of one.
And the wounded man has none the less abiding courage.
(I. xi. 388):—
And now because thy shaft has grazed my foot, thou mak'st
thy empty boast.
And every valiant person is likened to a lion, boar, to a torrent and whirlwind.
Now the Peripatetics think that freedom from emotion is unattainable by men. They bring in a certain mean; by taking away excess of feeling, they define virtue by moderation. And Homer brings in the best men neither feeble nor altogether fearless nor devoid of pain, but yet differing from the worst in not being overcome extravagantly by their feelings. For he says (I. xiii. 279):—
The cowards color changes, nor his soul
Within his heart its even balance keeps
But changing still, from foot to foot he shifts,
And in his bosom loudly beats his heart
Expecting death; and chatter all his teeth.
The brave man's color changes not with fear,
He knows the ambush ent'ring.
For it is evident that by taking away excessive fear from the good man he leaves the mean between the two. The same must be thought about the like emotions, pain and anger. To this effect is that verse of his (I. vii. 215):—
The Trojans' limbs beneath them shrank with fear,
E'en Hector's heart beat quicker in his breast,
The others, even at the sight, trembled.
But he, in the midst of dangers being brave, was only troubled. So he makes Dolon and Lycaon feeling fear; Ajax and Menelaus, turning gradually and going away step by step, as lions driven from their quarry. In the same way he shows the differences of those who grieve and also of those who rejoice. As Odysseus, relating the way he deceived the Cyclops, says (O. ix. 413):—