Complete Works of Plutarch — Volume 3: Essays and Miscellanies

by Plutarch

Of this we discoursed in your company at Athens, when Strato the comedian (for he was a man of great credit) flourished. For being entertained at supper by Boethus the Epicurean, with a great many more of the sect, as it usually happens when learned and inquisitive men meet together, the remembrance of the comedy led us to this inquiry,—Why we are disturbed at the real voices of men, either angry, pensive, or afraid, and yet are delighted to hear others represent them, and imitate their gestures, speeches, and exclamations. Every one in the company gave almost the same reason. For they said, he that only represents excels him that really feels, inasmuch as he doth not suffer the misfortunes; which we knowing are pleased and delighted on that account.

But I, though it was not properly my talent, said that we, being by nature rational and lovers of ingenuity, are delighted with and admire everything that is artificially and ingeniously contrived. For as a bee, naturally loving sweet things, seeks after and flies to anything that has any mixture of honey in it; so man, naturally loving ingenuity and elegancy, is very much inclined to accept and highly approve every word or action that is seasoned with wit and judgement. Thus, if any one offers a child a piece of bread, and at the same time, a little dog or ox made in paste, we shall see the boy run eagerly to the latter; so likewise if anyone, offers silver in the lump, and another a beast or a cup of the same metal, he will rather choose that in which he sees a mixture of art and reason. Upon the same account it is that a child is much in love with riddles, and such fooleries as are difficult and intricate; for whatever is curious and subtle doth attract and allure mankind, as antecedently to all instruction agreeable and proper to it. And therefore, because he that is really affected with grief or anger presents us with nothing but the common bare passion, but in the imitation some dexterity and persuasiveness appears, we are naturally inclined to be disturbed at the former, whilst the latter delights us. It is unpleasant to see a sick man, or one at his last gasp; yet with content we can look upon the picture of Philoctetes, or the statue of Jocasta, in whose face it is commonly said that the workmen mixed silver, so that the brass might depict the face and color of one ready to faint and expire. And this, said I, the Cyrenaics may use as a strong argument against you Epicureans, that all the sense of pleasure which arises from the working of any object on the ear or eye is not in those organs, but in the intellect itself. Thus the continual cackling of a hen or cawing of a crow is very ungrateful and disturbing; yet he that imitates those noises well pleases the hearers. Thus to behold a consumptive man is no delightful spectacle; yet with pleasure we can view the pictures and statues of such persons, because the very imitating hath something in it very agreeable to the mind, which allures and captivates its faculties. For upon what other account, for God's sake, from what external impression upon our organs, should men be moved to admire Parmeno's sow so much as to pass it into a proverb? Yet it is reported, that Parmeno being very famous for imitating the grunting of a pig, some endeavoured to rival and outdo him. And when the hearers, being prejudiced, cried out, Very well indeed, but nothing comparable to Parmeno's sow; one took a pig under his arm and came upon the stage. And when, though they heard the very pig, they still continued, This is nothing comparable to Parmeno's sow; he threw his pig amongst them, to show that they judged according to opinion and not truth. And hence it is very evident, that like motions of the sense do not always raise like affections in the mind, when there is not an opinion that the thing done was not neatly and ingeniously performed.

QUESTION II. THAT THE PRIZE FOR POETS AT THE GAMES WAS ANCIENT.

At the solemnity of the Pythian names, there was a consult about taking away all such sports as had lately crept in and were not of ancient institution. For after they had taken in the tragedy in addition to the three ancient, which were as old as the solemnity itself, the Pythian piper, the harper, and the singer to the harp, as if a large gate were opened, they could not keep out an infinite crowd of plays and musical entertainments of all sorts that rushed in after him. Which indeed made no unpleasant variety, and increased the company, but yet impaired the gravity and neatness of the solemnity. Besides it must create a great deal of trouble to the umpires, and considerable dissatisfaction to very many, since but few could obtain the prize. It was chiefly agreed upon, that the orators and poets should be removed; and this determination did not proceed from any hatred to learning, but forasmuch as such contenders are the most noted and worthiest men of all, therefore they reverence them, and were troubled that, when they must judge every one very deserving, they could not bestow the prize equally upon all. I, being present at this consult, dissuaded those who were for removing things from their present settled order, and who thought this variety as unsuitable to the solemnity as many strings and many notes to an instrument. And when at supper, Petraeus the president and director of the sports entertaining us, the same subject was discoursed on, I defended music, and maintained that poetry was no upstart intruder, but that it was time out of mind admitted into the sacred games, and crowns were given to the best performer. Some straight imagined that I intended to produce some old musty stories, like the funeral solemnities of Oeolycus the Thessalian or of Amphidamas the Chalcidean, in which they say Homer and Hesiod contended for the prize. But passing by these instances as the common theme of every grammarian, as likewise their criticisms who, in the description of Patroclus's obsequies in Homer, read [Greek omitted] ORATORS, and not [Greek omitted], DARTERS, ("Iliad," xxiii, 886.) as if Achilles had proposed a prize for the best speaker,—omitting all these, I said that Acastus at his father Pelias's funeral set a prize for contending poets, and Sibylla won it. At this, a great many demanding some authority for this unlikely and incredible relation, I happily recollecting myself produced Acesander, who in his description of Africa hath this relation; but I must confess this is no common book. But Polemo the Athenian's "Commentary of the Treasures of the City Delphi" I suppose most of you have diligently perused, he being a very learned man in the Greek Antiquities. In him you shall find that in the Sicyonian treasure there was a golden book dedicated to the god, with this inscription: Aristomache, the poetess of Erythraea, dedicated this after she had got the prize at the Isthmian games. Nor is there any reason, I continued, why we should so admire and reverence the Olympic games, as if, like Fate, they were unalterable, and never admitted any change since the first institution. For the Pythian, it is true, hath had three or four musical prizes added; but all the exercises of the body were for the most part the same from the beginning. But in the Olympian all beside racing are late additions. They instituted some, and abolished them again; such were the races of mules, either rode or in a chariot as likewise the crown appointed for boys that were victor's in the five contests. And, in short, a thousand things in those games are mere novelties. At Pisa they had a single combat, where he that yielded or was overcome was killed upon the place. But pray for the future require no author for my story, lest I may appear ridiculous if amidst my cups I should forget the name.

QUESTION III. WHY WAS THE PINE COUNTED SACRED TO NEPTUNE AND BACCHUS? AND WHY AT FIRST THE CONQUEROR IN THE ISTHMIAN GAMES WAS CROWNED WITH A GARLAND OF PINE, AFTERWARDS WITH PARSLEY, AND NOW AGAIN WITH PINE.

LUCANIUS, PRAXITELES.

This question was started, why the Isthmian garland was made of pine. We were then at supper in Corinth, in the time of the Isthmian games, with Lucanius the chief priest. Praxiteles the commentator brought this fable for a reason; it is said that the body of Melicertes was found fixed to a pine-tree by the sea; and not far from Megara, there is a place called the Race of a Fair Lady, through which the Megarians say that Ino, with her son Melicertes in her arms, ran to the sea. And when many put forth the common opinion, that the pine-tree garland peculiarly belongs to Neptune, Lucanius added that it is sacred to Bacchus too, but yet, for all that, it might also be appropriated to the honor of Melicertes; this started the question, why the ancients dedicated the pine to Neptune and Bacchus. As for my part, it did not seem incongruous to me, for both the gods seem to preside over the moist and generative principle; and almost all the Greeks sacrifice to Neptune the nourisher of plants, and to Bacchus the preserver of trees. Besides, it may be said that the pine peculiarly agrees to Neptune, not, as Apollodorus thinks, because it grows by the seaside, or because it loves a bleak place (for some give this reason), but because it is used in building ships; for it together with the like trees, as fir and cypress, affords the best and the lightest timber, and likewise pitch and rosin, without which the compacted planks would be altogether unserviceable at sea. To Bacchus they dedicate the pine, because it seasons wine, for among the pines they say the sweetest and most delicious grapes grow. The cause of this Theophrastus thinks to be the heat of the soil; for pines grow most in chalky grounds. Now chalk is hot, and therefore must very much conduce to the concoction of the wine; as a chalky spring affords the lightest and sweetest water; and if chalk is mixed with corn, by its heat it makes the grains swell, and considerably increases the heap. Besides, it is probable that the vine itself is bettered by the pine, for that contains several things which are good to preserve wine. All cover the insides of wine casks with rosin, and many mix rosin with wine, as the Euboeans in Greece, and in Italy those that live about the river Po. From the parts of Gaul about Vienna there is a sort of pitched wine brought, which the Romans value very much; for such things mixed with it do not only give it a good flavor, but make the wine generous, taking away by their gentle heat all the crude, watery, and undigested particles. When I had said thus much, a rhetorician in the company, a man well read in all sorts of polite learning, cried out: Good Gods! was it not but the other day that the Isthmian garland began to be made of pine? And was not the crown anciently of twined parsley? I am sure in a certain comedy a covetous man is brought in speaking thus:—

The Isthmian garland I will sell as cheap
As common wreaths of parsley may be sold.

And Timaeus the historian says that, when the Corinthians were marching to fight the Carthaginians in the defence of Sicily, some persons carrying parsley met them, and when several looked upon this as a bad omen,—because parsley is accounted unlucky, and those that are dangerously sick we usually say have need of parsley,—Timoleon encouraged them by putting them in mind of the Isthmian parsley garland with which the Corinthians used to crown the conquerors. And besides, the admiral-ship of Antigonus's navy, having by chance some parsley growing on its poop, was called Isthmia. Besides, a certain obscure epigram upon an earthen vessel stopped with parsley intimates the same thing. It runs thus:—

The Grecian earth, now hardened by the flame,
Holds in its hollow belly Bacchus blood;
And hath its mouth with Isthmian branches stopped.