XXXVII. Sulla foresaw his end, and even in a manner wrote about it, for he finished the twenty-second book of his Memoirs only two days before his death. He there says, that the Chaldæans foretold him that it was his fate to die, after a happy life, at the very height of his prosperity; he says also that his son, who had died a short time before Metella, appeared to him in a dream, in a mean dress, and standing by him, entreated his father to rest from his troubles and to go with him to join his mother Metella, and live with her in ease and quiet. Yet he did not give up attending to public matters. Ten days before his death he restored tranquillity among the people of Dicæarchia,[302] who were in a state of civil commotion, and he drew up for them a constitution; and only one day before his death, hearing that the chief magistrate Granius was a public defaulter and refused to pay the debt, waiting for Sulla's death, Sulla sent for the man to his chamber, and surrounding him with his slaves ordered him to be strangled; but with his shouting and efforts he burst an imposthume and vomited a quantity of blood. Upon this his strength failed him and he got through the night with difficulty. He left two infant children by Metella; Valeria, after his death, brought forth a daughter, whom they called Postuma,[303] for this is the name that the Romans give to children who are born after their father's death.
XXXVIII. Now many flocked to Lepidus and combined with him to prevent the body of Sulla from receiving the usual interment. But Pompeius, though he had ground of complaint against Sulla, for he was the only friend whom Sulla had passed over in his will,[304] turning some from their purpose by his influence and entreaties, and others by threats, had the body conveyed to Rome, and secured it a safe and honourable interment. It is said that the women contributed so great a quantity of aromatics for Sulla's funeral,[305] that without including what was conveyed in two hundred and ten litters, there was enough to make a large figure of Sulla, and also to make a lictor out of costly frankincense and cinnamon. The day was cloudy in the morning, and as rain was expected they did not bring the body out till the ninth hour. However, a strong wind came down on the funeral pile and raised a great flame, and they had just time to collect the ashes as the pile was sinking and the fire going out, when a heavy rain poured down and lasted till night; so Sulla's good fortune seemed to follow him to his funeral, and to stay with him to the last. His monument is in the Campus Martius. The inscription, which they say he wrote and left behind him, says in substance, that none of his friends ever did him a kindness, and none of his enemies ever did him a wrong, without being fully repaid.
FOOTNOTES:
[162] Many distinguished families belonged to the Cornelii, as the Scipiones, Lentuli, Dolabellæ, and others. The Patricians were the old Roman noble families, whom Plutarch compares with the Athenian Eupatridæ, or men of noble family, who formed in the older periods of Athenian history the first class in the State.
The origin of the word Sulla is uncertain. This Sulla was not the first who bore it. P. Cornelius Rufinus, Prætor B.C. 212, the grandfather of this Sulla, also bore the name. The various conjectures on the origin of the name Sulla are given by Drumann, Geschichte Roms, ii. p. 426. The name should be written Sulla, not Sylla. The coins have always Sulla or Sula. (Rasche, Lex Rei Numariæ; Eckhel, Doctrina Num. Vet. v. 189.) L. Cornelius Sulla was the son of L. Cornelius Sulla, and born B.C. 138.
[163] P. Cornelius Rufinus was consul B.C. 290. He was also Dictator, but in what year is uncertain. He was ejected from the Senate by the Censor C. Fabricius B.C. 275 for violating one of the sumptuary laws of Rome, or those which limited expense. The story is mentioned by Gellius (iv. 8; xvii. 21). Plutarch has translated the Latin word Libræ by the Greek Litræ.
The Romans made many enactments for limiting expense in dress, entertainments, funerals (Sulla, c. 35), amount of debt to be incurred, and so forth, all of which were unavailing. The notion of regulating private expenditure was not peculiar to the Romans among the states of antiquity; and our own legislation, which in its absurd as well as its best parts has generally some parallel in that of the Romans, contains many instances of sumptuary laws, which prescribed what kind of dress, and of what quality, should be worn by particular classes, and so forth. The English Sumptuary Statutes relating to Apparel commenced with the 37th of Edward III. This statute, after declaring that the outrageous and excessive apparel of divers people against their estate and degree is the destruction and impoverishment of the land, prescribes the apparel of the various classes into which it distributes the people; but it goes no higher than knights. The clothing of the women and children is also regulated. The next statute, 3rd of Edward IV., is very minute. This kind of statute-making went on at intervals to the 1st of Philip & Mary, when an Act was passed for the Reformation of Excessive Apparel. These Apparel Statutes were repealed by the 1st of James I.
[164] This word does not convey the exact notion, but it is sufficient. The original is Gephyrists ( γεφυρισταί). There was, they say, a bridge (Gephyra) on the road between Athens and Eleusis, from which, during the sacred processions to Eleusis, the people (or, as some authorities say, the women) were allowed the liberty of joking and saying what they pleased; and hence the name of such free speakers, Bridgers, Bridge-folk. (See Casaubon's note on Strabo, p. 400.) Hence the word came to signify generally abusive people. Sulla did not forget these insults when he took Athens (c. 13). Plutarch alludes to this also in his Treatise on Garrulity, c. 7.
[165] Mimus is a name given by the Romans both to an actor and to a kind of dramatic performance, which probably resembled a coarse farce, and was often represented in private houses. Its distinguishing character was a want of decency. The word Mimus is of Greek origin, and probably derived its name from the amount of gestures and action used in these performances. The Greeks also had their Mimi.
[166] This passage is apparently corrupt. But the general meaning is tolerably clear. (See Sulla, c. 36.)