‘It would be possible to mention many other instances, from Greek and foreign history, proving that the Gods do not fail to notice the authors of impious and wicked deeds; at present I shall only mention the case before us. The Lacedaemonians, who had sworn that they would leave the cities independent, and then seized the Acropolis of Thebes, were punished entirely by those whom they had wronged, having previously been beaten by no man then living. The Theban citizens who had introduced them into the citadel, and who wished the city to be subject to the Lacedaemonians that they themselves might enjoy absolute power, lost their supremacy, which seven exiles were enough to overthrow.’
These remarks are in the spirit of the Greek Tragedians, who love to bring into strong light an act or situation of pride and insolence as the turning-point from prosperity to ruin. Thucydides, as is pointed out by Grote in the masterly pages which end his fifty-sixth chapter, has brought the cynical injustice of the Athenians towards Melos into glaring prominence in order to prepare his readers for the disastrous sequel.
The problem of the true nature of the ‘Divine Sign’ of Socrates is one of great interest and some mystery. The Latin word ‘Genius’, the attendant spirit who makes each of us what he is, in fact, his self, is familiar to us from Horace:
The Genius, guardian of each child of earth,
Born when we’re born and dying when we die.
(Epist. 2, 2, 187.)
The conception is thoroughly Greek, and may be paralleled abundantly from Plato as well as from Plutarch himself and contemporary writers. But it is really misapplied here, and is in fact a mistranslation, since the word used by Plato and Xenophon as well as by Plutarch is invariably not the daemon, but the neuter adjective, ‘the daemonic sc. Sign’. The passages of Plato and Xenophon are collected in the late James Riddell’s edition of the Apology of Plato.[[20]] It is to be observed that in all the genuine works of Plato the operation of the Sign is negative and deterrent, in Xenophon it is sometimes positive and hortatory. The reader should consult the articles on Socrates by Professor Henry Jackson in the Encyclopaedia Britannica. Professor Jackson is inclined to think that the evidence points to some abnormal condition of the sense of hearing, and there are expressions in this Dialogue of Plutarch which seem to bear out such a view. Apuleius’ treatise On the God of Socrates (which St. Augustine tells us that he would have entitled On the daemon of Socrates if he had dared) tells us much which is of interest about the daemons, but not very much about Socrates. He contributes, however, the pertinent remark that the Sign, according to Socrates himself, was not ‘a voice’, but ‘a sort of voice’.
There is no indication of the date of composition of this Dialogue.
Not many points of topography arise. The Cadmeia stood on a low hill or plateau rising from north to south on the eastern side of the Dirce stream and reaching a height of some 200 feet, now occupied by the modern town. The market-place was north-east of this, near the river Ismenus. Of the seven famous gates the returning exiles may probably have entered by the Electran, the one assailed by Capaneus in Aeschylus’ story (Seven against Thebes, 423).