This gate was built in 1685-1695 from the plans of a local architect (Simon Vollant), to commemorate the return of Lille to France (1667). It was completely restored in 1895. The demolition of the old line of fortifications left this gate isolated in the middle of the town, and it was to ornament and finish off those portions which adjoined the ramparts that additions in the same style were then made. The whole forms a Monumental Gate and Triumphal Arch.
In a large semi-circular arch is the Royal Coat of Arms, while below are the Arms of Lille carved on a stone tablet. On either side of the latter are channels for receiving the drawbridge levers.
To the right and left, two Doric columns on pedestals support the whole of the entablature with frieze and cornice, above which are trophies, helmets and flags. On pedestals between the columns are statues of Hercules (on the right) and Mars (on the left), while above are sculptured motifs in demi-relief.
The most remarkable part of the monument is the great sculptured motif which crowns the whole. In the middle, Victory seated amidst arms and standards, raises her right hand to crown the King (Louis XIV), seen in the medallion immediately below. At Victory's feet, somewhat to the right and left, two figures of Fame proclaim the glory on trumpets.
The whole is expressive and graceful, attesting the great ability of the artist in treating this somewhat commonplace theme.
Take the Rue Carnot to the right of the Gate, skirting the Square Ruault, which is the continuation, as far as the Hospital of St. Saviour.
HOSPITAL OF SAINT-SAVIOUR
Door in one of the galleries
This hospital, sometimes known as that of St. John the Evangelist, was founded in 1216, after the battle of Bouvines, by the Countess Jeanne de Constantinople. The present brick and stone buildings date from the 17th and 18th centuries.
In the Middle-Ages, hospital wards contained an altar at one end, so that the patients could hear Mass from their beds. A heavy curtain was then drawn, cutting off the altar from the remainder of the room.