"Okay," he said. "I promise you nothing. I, at least, will insist on knowing what this is all about. When I do, perhaps I'll decide the police ought to be told, and perhaps not. But for now, good night, Guido."
He turned to go out the rear exit. Faintly through the main door, he heard approaching sirens, but there was time enough to get into a back alley and thence to his car.
He realized, suddenly, with an unsurprised drowsy delight like the aftermath of love, that the horror had left him. When he continued his search for Larkin and for that more terrible thing which Larkin must represent, it would be from honor, because he was taking it on himself not to tell the police at once that there was a mansticker loose in their city. He would not be merely running from his private ghosts.
Tonight he would be able to sleep.
He paused at the door, looking back. "Good night, Guido," he repeated. "And thanks again for the song."
[7]
Two brawls in succession had not tired him; he got more exercise than that in an evening at the dojo. But the strain of the time before had had its effect. He woke with a fluttering gasp and saw dust motes dance in a yellow sunbeam. The clock said almost nine.
"Judas priest," he groaned. Suddenly it came to him that he had left Guido unguarded. So much for the amateur detective.
He sprang from bed and twirled the radio controls. Having found a newscast, he went into the bathroom and showered; Trig Yamamura had beaten that much Zen into his thick head. Through the water noise, he heard that more money was necessary so the nation's bought friends would stay bought; that the countries which had simply given their friendship were being imperialistic, i.e., hanging on to their overseas property, and therefore unworthy of help; that subversive elements in the bottle cap industry were to be investigated; and that Mother Bloor's Old Time Chicken Broth was made by a new scientific process which "sealed in" tiny drops of chicken goodness. Nothing was said about another murder.