The Age of the Reformation

by Preserved Smith

The Reformation was a vast effort made by the human race to secure its freedom; it was a new-born desire to think and judge freely and independently of all ideas and opinions, which until then Europe had received or been bound to receive from the hands of antiquity. It was a great endeavor to emancipate the human reason and to call things by their right names. It was an insurrection of the human mind against the absolute power of the spiritual estate.

{715} [Sidenote: Romantic Movement]

But there was more than politics to draw the sympathies of the nineteenth century to the sixteenth. A large anthology of poetical, artistic and musical tributes to Luther and the Reformation might be made to show how congenial they were to the spirit of that time. One need only mention Werner's drama on the subject of Luther's life (1805), Mendelssohn's "Reformation Symphony" (1832-3), Meyerbeer's opera "The Huguenots" (1836), and Kaulbach's painting "The Age of the Reformation" (c. 1810). In fact the Reformation was a Romantic movement, with its emotional and mystical piety, its endeavor to transcend the limits of the classic spirit, to search for the infinite, to scorn the trammels of traditional order and method.

[Sidenote: Mme. de Staël]

All this is reflected in Mme. de Staël's enthusiastic appreciation of Protestant Germany, in which she found a people characterized by reflectiveness, idealism, and energy of inner conviction. She contrasted Luther's revolution of ideas with her own countrymen's revolution of acts, practical if not materialistic. The German had brought back religion from an affair of politics to be a matter of life; had transferred it from the realm of calculated interest to that of heart and brain.

[Sidenote: Heine]

Much the same ideas, set forth with the most dazzling brilliancy of style, animate Heine's too much neglected sketch of German religion and philosophy. To a French public, unappreciative of German literature, Heine points out that the place taken in France by belles lettres is taken east of the Rhine by metaphysics. From Luther to Kant there is one continuous development of thought, and no less than two revolutions in spiritual values. Luther was the sword and tongue of his time; the tempest that shattered the old oaks of hoary tyranny; his hymn was the Marseillaise of the spirit; he made a revolution and not with {716} rose-leaves, either, but with a certain, "divine brutality." He gave his people language, Kant gave them thought; Luther deposed the pope; Robespierre decapitated the king; Kant disposed of God: it was all one insurrection of Man against the same tyrant under different names.

Under the triple influence of liberalism, romanticism and the scientific impulse presently to be described, most of the great historians of the middle nineteenth century wrote. If not the greatest, yet the most lovable of them all, was Jules Michelet, [Sidenote: Michelet] a free-thinker of Huguenot ancestry. His History of France is like the biography of some loved and worshipped genius; he agonizes in her trials, he glories in her triumphs. And to all great men, her own and others, he puts but one inexorable question, "What did you do for the people?" and according to their answer they stand or fall before him. It is just here that one notices (what entirely escaped previous generations), that the "people" here means that part of it now called, in current cant, "the bourgeoisie," that educated middle class with some small property and with the vote. For the ignorant laborer and the pauper Michelet had as little concern as he had small patience with king and noble and priest. One thing that he and his contemporaries prized in Luther was just that bourgeois virtue that made him a model husband and father, faithfully performing a daily task for an adequate reward. Luther's joys, he assures us, were "those of the heart, of the man, the innocent happiness of family and home. What family more holy, what home more pure?" But he returns ever and again to the thought that the Huguenots were the republicans of their age and that, "Luther has been the restorer of liberty. If now we exercise in all its fullness this highest prerogative of human intelligence, it is to him we are indebted for it. {717} To whom do I owe the power of publishing what I am now writing, save to this liberator of modern thought?" Michelet employed his almost matchless rhetoric not only to exalt the Reformers to the highest pinnacle of greatness, but to blacken the character of their adversaries, the obscurantists, the Jesuits, Catherine de' Medici.

[Sidenote: Froude]

English liberalism found its perfect expression in the work of Froude. Built up on painstaking research, readable as a novel, cut exactly to the prejudices of the English Protestant middle class, The History of England from the Fall of Wolsey to the Defeat of the Spanish Armada won a resounding immediate success. Froude loved Protestantism for the enemies it made, and as a mild kind of rationalism. The Reformers, he thought, triumphed because they were armed with the truth; it was a revolt of conscience against lies, a real religion over against "a superstition which was but the counterpart of magic and witchcraft" and which, at that time, "meant the stake, the rack, the gibbet, the Inquisition dungeons and the devil enthroned." It was the different choice made then by England and Spain that accounted for the greatness of the former and the downfall of the latter, for, after the Spaniard, once "the noblest, grandest and most enlightened people in the known world," had chosen for the saints and the Inquisition, "his intellect shrivelled in his brain and the sinews shrank in his self-bandaged limbs."