Beside his wife, Nicholas II. looked the insignificant personage he was to remain until the end of his reign and very probably of his life. He could no more bear the weight of his Crown physically than he was able later on to carry the burden of his responsibilities. As he walked, he staggered and trembled; and one could distinctly notice the signs of the extreme fatigue under which he labored. Supported on either side by two attendants, who carried the folds of his Imperial mantle, he tried to keep erect the scepter which he held in his right hand, and the orb which reposed in his left.

And then occurred the memorable incident of that memorable day.

When the long procession reached the doors of the Cathedral of the Archangels where, according to custom, the newly crowned Czar was obliged to repair for a short service of thanksgiving, I saw Nicholas II. reel from right to left as would have done a drunken man, and suddenly the scepter which he grasped fell heavily from his hand to the stone floor, before the altar of the church.

It would be difficult to describe the emotion produced by this untoward incident, which was at once interpreted by the superstitious Russian people as a bad omen for the reign which had just begun. Strange though this may seem, yet it is absolutely true, that the faith of the Russian nation in Nicholas II. was shattered from that day when it had found him unable to carry the symbol of his supreme power and Imperial might and not strong enough to bear its weight.

This was not, however, the only unlucky incident which was connected with this sad Coronation, which in so many respects reminded one of several others that had marked the marriage festivities of Marie Antoinette, and the anointing of Louis XVI. at Rheims. I will not describe here the horrors which were enacted on the Khodinka field, when more than twenty thousand people were crushed to death during a popular festival given in honor of the Czar’s assuming the Crown of his ancestors; I shall only mention the part played by Alexandra Feodorowna in the gruesome tragedy. As everybody knows, unfortunately for her reputation in history, she danced the night which followed upon it, at the French Embassy. But what is not so well known is the fact that when she and the Emperor were asked by Count de Montebello, the French Ambassador, whether the ball which they had promised to attend had not better be postponed until the next day, which would have been an easy matter, Alexandra Feodorowna had exclaimed that she could not understand why such a fuss was made because “a few peasants had been victims of an accident likely to happen anywhere,” while Nicholas II. had replied that he did not see any necessity to make any alteration in the program which had been officially sanctioned and adopted since a long time.

It was only on the third day following upon the catastrophe, when the clamors of public opinion reached even the deaf ears of the Czar and of his Consort, that they decided themselves at last to pay a visit to the various hospitals where the victims of the tragedy had been carried. They went there in great state and ceremony, the Empress dressed in lace and satin, holding in her hands a large bouquet of flowers which had been presented to her by the officials to whom had been deputed the charge of receiving her at the gates of the houses of suffering and death, whither her duties had called her, much against her will. It was related later on that a little girl ten years old or so, perceiving the roses held by the Sovereign, had exclaimed:

“Oh, the pretty roses!”

“Give them to her,” said the Emperor.

“Certainly not. Flowers are most unwholesome in a sick-room,” replied Alexandra Feodorowna, and she turned away without another word.

V
DAUGHTERS, DAUGHTERS, AND NO SON