Every conjurer who has in him, as all conjurers should have, the creative instinct of the artist, and aims therefore at putting something of himself into his work, must of necessity be to some small extent an amateur mechanic. The hints which follow are addressed to the reader in that capacity. I have no pretension to teach him how to do things in the way of construction, but merely to make the doing of them easier. Though relating to matters in themselves small, the “tips” which follow may safely be said to come within the scope of Captain Cuttle’s celebrated counsel, “when found make a note of.” It often happens that the amateur mechanic has to take considerable trouble and pains in procuring some special requirement, while there is already on sale, at small cost, just the thing he wants, if he only knew what to ask for, and where to get it. The paragraphs which follow will, in some at any rate of such cases, supply the needful information.
1. For woodwork on a small scale, an old cigar box will often be found suitable material. Where such a box is not available or not suitable for the particular work in hand, what is called “three-ply” may supply the need. This consists of three layers of thin wood glued together under pressure, with the grain of the intermediate layer running crossway to that of the other two, the tendency to warp being thereby greatly reduced. Drawing-boards are, for this reason, now usually made of wood so combined, and a drawing-board makes for many purposes a good enough extempore work-bench. For a finer class of work, the amateur mechanic, if he is willing to take the trouble, may make his own three-ply. For this purpose he should procure a supply of what is called “knife-cut” veneer, i.e., thin sheets of walnut, mahogany, satin,—or other hard wood, and glue them together with the white glue to be presently described. Veneer merchants form a distinct trade, and are comparatively few in number, but the resident in London can obtain veneer and thin woods of all descriptions from Messrs. McEwan & Son, 282 Old Street, E. C. In country districts the shops which hold agencies for “Hobbies” materials also sell planed-up woods of various kinds, ranging like veneer from one-sixteenth to half an inch in thickness.
2. As a handy substitute for glue, most people are acquainted with the virtues of Seccotine, in its way a most useful preparation. But there are many purposes for which Seccotine is too aggressively viscous, while ordinary paste is not adhesive enough. In such cases I can strongly recommend Pastoid, a composition midway between glue and paste. For all purposes for which paste (in small quantity) is ordinarily used, Pastoid may be substituted with advantage. I myself came across it accidentally two or three years ago, “since when,” like the gentleman in the soap advertisement, “I have used no other.” The maker is Henry Roberts, Middlesborough, but it should be obtainable of any up-to-date stationer or fancy dealer. It is supplied in glass jars, at sixpence and a shilling.
3. Where an actual glue, of fine quality, is needed, procure sheet gelatine, to be had of any grocer. Cut into small pieces and melt in an ordinary gluepot using water enough to make the resulting solution about as thick as ordinary gum water. It should be used as near boiling point as possible, and the joined surfaces left to dry under the heaviest pressure available. A joint made with this glue is practically invisible.[22]
4. For dividing up thin stuff (wood or cardboard), into rectangular slabs, the handiest tool is the “cutting gauge.” This is practically identical with the better known “marking gauge,” save that the “marker” is replaced by a little spade-pointed cutter. This tool is only available for cutting wood up to say eight inches in width, but to the amateur attempting small work only, it will be found invaluable.
5. For staining wood or cardboard a deep dead black I have found nothing better than the “Record Jet Stain,” manufactured by the Record Polish Company, Eccles, Manchester. It is normally designed for staining leather only, the makers not having apparently realised its usefulness in other directions. It is to be had of any dealer in leather goods, in twopenny and sixpenny bottles. In many cases I have found it best to rub it in with a pad, rather than to apply it with a brush, but this will of course depend largely on the nature of the article to be treated.
6. An excellent polish for use after staining, or for other purposes, is made by dissolving white wax in turpentine, to the consistency of cream. Applied sparingly, with plenty of friction to follow, this produces a clean hard gloss, free from the stickiness which is sometimes left after the use of other polishes.
7. For enamelling small articles use Maurice’s Porceleine (the makers of which are Walter Carson & Sons, Grove Works, Battersea, S. W.) procurable at “oil and colour” men in tins from three-halfpence upwards.
8. For any article to be made of flat card or mill-board, without folding or bending, preference should be given to “Bristol” board, sold by artists’ colour-men. This is somewhat more expensive but is stiffer and harder and has a better surface than the commoner articles.