The performer having exhibited the solid die and cover, as already explained, and having removed the latter (with the hollow die within it), places it upon the table. Spreading the prepared handkerchief beside it, he places the solid die upon the centre of the handkerchief, and gathering up the four corners of the latter, lifts it, bag-fashion, with his left hand, the four loose flaps of pasteboard naturally folding themselves up around the die. He now takes it with his right hand, clipping the solid die within the pasteboard, and turns the whole over as in [Fig. 252], thus bringing the die uppermost, with the folds of the handkerchief hanging down around it. He next takes in the left hand a borrowed hat, holding it up for a moment, to show that it is empty. Then, turning it mouth upwards, he remarks, “I will place the die here in the hat.” Suiting the action to the word, he lowers his hand into the hat, but, as if suddenly bethinking himself, he says, “No! I won’t use the hat at all. Perhaps some one will kindly hold the die.” In withdrawing his hand, however, he relaxes the pressure of his fingers, thereby leaving the solid die in the hat, though as the folded pasteboard retains its cubical shape, the handkerchief still appears to contain the die. Grasping it immediately below the folded shape, he gives the handkerchief in charge to one of the spectators, who is directed to hold it in like manner. The hat he places carelessly upon the table. He now once more lifts the cover with the hollow die, rattling his wand within it to show that it is empty. Again replacing it, he commands the die to pass from the handkerchief under the cover. The person holding the handkerchief is asked if he felt it depart, but he naturally maintains that it is still in the handkerchief. “You are mistaken,” says the professor; “what you see is merely the ghost of the die still clinging to the handkerchief. Allow me!” and taking one corner he requests the owner to drop the handkerchief, which he then shakes out, exhibiting both sides to show that the die has vanished. He then lifts the cover, and shows the hollow die, which the spectators take to be the genuine one, and concludes the trick by finally commanding the die thus shown to pass into the hat; which, on being turned over, is found to contain the solid die, while the hollow die is again raised with the cover, and the latter shown apparently empty.

The Die and Orange.—The die in this instance is about three and a half inches square. It has the usual ornamental tin or pasteboard cover, but there is an additional item of apparatus employed, a square wooden box, with hinged lid, and of such a size as just to contain the die. The effect of the trick is as follows:—The die is brought forward in the box, the performer holding the square cover in his other hand. The die being then taken out of the box, and placed on the table, the box is shown empty, and the cover placed over the die. The performer, having mysteriously procured an orange from the hair or whiskers of a spectator, drops it into the box, which is then closed. He now asks the spectators, in order to impress the facts on their memory, where they suppose the two articles to be. They naturally answer that they are where they have just seen them placed; or, if they venture to question this, the performer raises the cover and opens the box, and shows that die and orange both remain in statu quo. He now commands the two articles to change places. Lifting the cover, the die is found to have disappeared, the orange having taken its place, and, on opening the box, it is seen to contain the die, which is taken out, and exhibited on all sides to the company. The die and orange, being again covered over, at command change places as often as the company please.

The reader will doubtless have conjectured that there are in reality two dice and two oranges. The box when first brought forward contains in reality two hollow dice, one within the other. The smaller and innermost (the one which is afterwards taken out and placed under the cover) is placed in the box with its open side towards the hinges, and contains an orange. The performer takes it out, taking care, of course, that the orange does not fall out, and places it (open side downwards) upon the table. The cover is now placed over it, and, if lifted with pressure, lifts the hollow die with it, and reveals the orange; but if lifted by the button on top, so that the sides are not pressed, it leaves the die covering the orange.

We now return to the box. This contains a second hollow die, so placed that the open side is upwards, and the box therefore appears to be empty. The lid, however, contains a sixth side, exactly fitting the open space, and thus making the die complete. This moveable side is alternately made to form a lining to the lid or to form part of the die, according as a little button on the lid is moved in one or another direction. Both the true lid and this moveable portion of it are lined with looking-glass, so as to show no difference of appearance, whether the box is exhibited empty or as containing the die. When the sixth side is made to form part of the die, the latter may be completely removed from the box, and shown on all its sides without betraying the secret, the orange for the time being remaining enclosed within it.

It is a good plan to have a solid die matching those used in the trick, to be, if necessary, substituted and handed round for inspection. If the performer uses a trap-table, it has a very good effect to conclude the trick by causing the orange under the cover to fall through the trap, and then, lifting the cover and hollow die together, to show by rattling the wand within, that both die and orange have altogether vanished.

Fig. 253.

The Vanishing Canary Bird and Cage.—This is another favourite die trick. The performer exhibits a canary bird in a little oblong brass cage, measuring six inches by four. He next exhibits a die three inches square, showing all sides to prove that it is solid. This he places upon a tray, which is held by the assistant, and covers it with a fancy cover as already described. He now throws a handkerchief over the cage. Bringing it forward thus covered to the company, he orders the cage to vanish, the die to pass into a borrowed hat, and the bird to appear upon the tray in place of the die. No sooner said than done; he waves the handkerchief, which is seen to be empty, and on raising the cover the bird is found under it; while, on turning over the hat, out falls the die.

Fig. 254.