“I am going straight on to the studio,” I replied.

“You had better come and have an early lunch with me first,” said he. “There is no occasion to hurry. Polton is there and you won’t easily get rid of him, for I understand that Miss D’Arblay is doing the finishing work on a wax bust.”

“I ought to see that, too,” said I.

He looked at me with a mischievous smile. “I expect you will have plenty of opportunities in the future,” said he, “whereas Polton must make hay while the sun shines. And, by the way, he may have something to tell you. I have instructed him to make arrangements with those two ladies, Miss Dewsnep and her friend, to go into the question of their identification of Bendelow. I want you to be present at the interview, but I have left him to fix the date. Possibly he has made the arrangement by now. You had better ask him.”

At this moment, an eligible omnibus making its appearance, we both climbed on board and were duly conveyed to King’s Cross, where we alighted and lunched at a modest restaurant, thereafter separating to go our respective ways north and south.

CHAPTER XVII.
A Chapter of Surprises

In answer to my knock the studio door was opened by Polton; and as I met his eyes for a moment I was conscious of something unusual in his appearance. I had scanty opportunity to examine him, for he seemed to be in a hurry, bustling away after a few hasty words of apology and returning whence he had come. Following close on his heels, I saw what was the occasion of his hurry. He was engaged with a brush and a pot of melted wax in painting a layer of the latter on the insides of the moulds of a pair of arms, while Marion, seated on a high stool, was working at a wax bust, which was placed on a revolving modelling-stand, obliterating the seams and other irregularities with a steel tool which she heated from time to time at a small spirit lamp.

When I had made my salutations, I offered my help to Polton, which he declined—without looking up from his work—saying that he wanted to carry the job through by himself. I sympathized with this natural desire, but it left me without occupation; for the work which Marion was doing was essentially a one-person job, and in any case was far beyond the capabilities of either of the apprentices. For a minute or two I stood idly looking on at Polton’s proceedings, but, noticing that my presence seemed to worry him, I presently moved away—again with a vague impression that there was something unusual in his appearance—and, drawing up another high stool beside Marion’s, settled myself to take a lesson in the delicate and difficult technique of surface finishing.

We were all very silent. My two companions were engrossed by their respective occupations, and I must needs refrain from distracting them by untimely conversation; so I sat, well content to watch the magical tool stealing caressingly over the wax surface, causing the disfiguring seams to vanish miraculously into an unbroken contour. But my own attention was somewhat divided; for even as I watched the growing perfection of the bust there would float into my mind now and again an idle speculation as to the change in Polton’s appearance. What could it be? It was something that seemed to have altered, to some extent, his facial expression. It couldn’t be that he had shaved off his moustache or whiskers, for he had none to shave. Could he have parted his hair in a new way? It seemed hardly sufficient to account for the change; and looking round at him cautiously I could detect nothing unfamiliar about his hair.

At this point he picked up his wax-pot and carried it away to the farther end of the studio to exchange it for another which was heating in a water-bath. I took the opportunity to lean towards Marion and ask in a whisper: