They cast deep shadows in the corners of the room, and when they flickered up occasionally the light fell on the dark and sun-tanned faces of the tall, wiry Gauchos and the light cotton dresses of the women as they sat with their chairs tilted up against the wall. Some thick-set Basques, an Englishman or two in riding breeches, and one or two Italians made up the company. The floor was earth, stamped hard till it shone like cement, and as the Gauchos walked upon it, their heavy spurs clinked with a noise like fetters as they trailed them on the ground.
An old, blind Paraguayan played on the guitar, and a huge negro accompanied him on an accordion. Their united efforts produced a music which certainly was vigorous enough, and now and then, one or the other of them broke into a song, high-pitched and melancholy, which, if you listened to it long enough, forced you to try to imitate its wailing melody and its strange intervals.
Fumes of tobacco and rum hung in the air, and of a strong and heady wine from Catalonia, much favoured by the ladies, which they drank from a tumbler, passing it to one another, after the fashion of a grace-cup at a City dinner, with great gravity. At last the singing ceased, and the orchestra struck up a Tango, slow, marked, and rhythmical.
Men rose, and, taking off their spurs, walked gravely to the corner of the room where sat the women huddled together as if they sought protection from each other, and with a compliment led them out upon the floor. The flowing poncho and the loose chiripá, which served as trousers, swung about just as the tartans of a Highlander swing as he dances, giving an air of ease to all the movements of the Gauchos as they revolved, their partners’ heads peeping above their shoulders, and their hips moving to and fro.
At times they parted, and set to one another gravely, and then the man, advancing, clasped his partner round the waist and seemed to push her backwards, with her eyes half-closed and an expression of beatitude. Gravity was the keynote of the scene, and though the movements of the dance were as significant as it was possible for the dancers to achieve, the effect was graceful, and the soft, gliding motion and the waving of the parti-coloured clothes, wild and original, in the dim, flickering light.
Rum flowed during the intervals. The dancers wiped the perspiration from their brows, the men with the silk handkerchiefs they wore about their necks, the women with their sleeves. Tangos, cielitos, and pericones succeeded one another, and still the atmosphere grew thicker, and the lights seemed to flicker through a haze, as the dust rose from the mud floor. Still the old Paraguayan and the negro kept on playing with the sweat running down their faces, smoking and drinking rum in their brief intervals of rest, and when the music ceased for a moment, the wild neighing of a horse tied in the moonlight to a post, sounded as if he called his master to come out and gallop home again.
The night wore on, and still the negro and the Paraguayan stuck at their instruments. Skirts swung and ponchos waved, whilst maté circulated amongst the older men as they stood grouped about the door.
Then came a lull, and as men whispered in their partners’ ears, telling them, after the fashion of the Gauchos, that they were lovely, their hair like jet, their eyes bright as “las tres Marias,” and all the compliments which in their case were stereotyped and handed down for generations, loud voices rose, and in an instant two Gauchos bounded out upon the floor.
Long silver-handled knives were in their hands, their ponchos wrapped round their left arms served them as bucklers, and as they crouched, like cats about to spring, they poured out blasphemies.
“Stop this!” cried Frutos Barragán; but even as he spoke, a knife-thrust planted in the stomach stretched one upon the floor. Blood gushed out from his mouth, his belly fell like a pricked bladder, and a dark stream of blood trickled upon the ground as he lay writhing in his death agony.