THE CONTRACT
"Come, Peggy, put your toys away; you needn't shake your head,
Your bear's been working overtime; he's panting for his bed.
He's turned a thousand somersaults, and now his head must ache;
It's cruelty to animals to keep the bear awake."
At this she stamped in mutiny, and then she urged her plea,
Her wonted plea, "A little time, a minute more, for me."
"Be off, you little rogue of rogues," I sternly made reply;
"It's wicked to be sitting up with sand in either eye.
"To bed, to bed, you sleepy head; and then, and then—who knows?—
Some day you'll be a grown-up girl, and lovely as a rose.
And some day some one else will come, a gallant youth and gay,
To harry me and marry you and carry you away."
At this the storm broke out afresh:—"You know I hate the boys;
They're only good at taking things, and breaking things, and noise.
So, Daddy, please remember this, because—I—want—you—to:—
I'll never marry any boy; I'll only marry you."
"Agreed," I cried—the imp, of course, had won the bout of wits;
Had gained her point and got her time and beaten me to fits—
"Agreed, agreed,"—she danced for joy—"we'll leave no room for doubt,
But bind ourselves with pen and ink, and write the contract out:-"
This is a contract, firm and clear
Made, as doth from these presents appear,
Between Peggy, being now in her sixth year,
A child of laughter,
A sort of funny actress,
Referred to hereinafter
As the said contractress—
Between the said contractress, that is to say,
And a person with whom she is often good enough to play;
Who happens to have been something of a factor
In bringing her into the world, who, in short, is her father,
And is hereinafter spoken of as the said contractor.
Now the said contractress declares she would rather
Marry the said contractor than any other.
At the same time she affirms with the utmost steadiness
Her perfect readiness
To take any other fellow on as a brother.
Still, she means to marry her father, and to be his wife,
And to live happily with him all the rest of her life.
This contract is made without consideration,
And is subject to later ratification.
The said contractress had it read through
to see that nothing was missed,
And she took her pen, and she held it tight
in a chubby and cramped-up fist,
And she made her mark with a blotted cross,
instead of signing her name;
And the said contractor he signed in full,
and they mean to observe the same.
"Now give me, Peg, that old brown shoe, that battered shoe of yours,
I'll stow the contract in its toe, and, if the shoe endures,
When sixteen years or so are gone, I'll hunt for it myself
And take it gently from its drawer, or get it from its shelf.
"And when, mid clouds of scattered rice, through all the wedding whirl
A laughing fellow hurries out a certain graceless girl,
Unless my hand have lost its strength, unless my eye be dim,
I'll lift the shoe, the contract too, and fling the lot at him."
JOHN
He's a boy,
And that's the long and (chiefly) the short of it,
And the point of it and the wonderful sport of it;
A two-year-old with a taste for a toy,
And two chubby fists to clutch it and grasp it,
And two fat arms to embrace it and clasp it;
And a short stout couple of sturdy legs
As hard and as smooth as ostrich eggs;
And a jolly round head, so fairly round
You could easily roll it,
Or take it and bowl it
With never a bump along the ground.
And, as to his cheeks, they're also fat—
I've seen them in ancient prints like that,
Where a wind-boy high
In a cloudy sky
Is puffing away for all he's worth,
Uprooting the trees
With a reckless breeze,
And strewing them over the patient earth,
Or raising a storm to wreck the ships
With the work of his lungs and cheeks and lips.
Take a look at his eyes; I put it to you,
Were ever two eyes more truly blue?
If you went and worried the whole world through
You'd never discover a bluer blue;
I doubt if you'd find a blue so true
In the coats and scarves of a Cambridge crew.
And his hair
Is as fair
As a pretty girl's,
But it's right for a boy with its crisp, short curls
All a-gleam, as he struts about
With a laugh and a shout,
To summon his sister-slaves to him
For his joyous Majesty's careless whim.
But now, as, after a stand, he budges,
And sets to work and solemnly trudges,
Out from a bush there springs full tilt
His four-legged playmate—and John is spilt.
She's a young dog and a strong dog
And a tall dog and a long dog,
A Danish lady of high degree,
Black coat, kind eye and a stride that's free.
And out she came
Like a burst of flame,
And John,
As he trudged and strutted
Sturdily on,
Was blindly butted,
And, all his dignity spent and gone,
On a patch of clover
Was tumbled over,
His two short legs having failed to score
In a sudden match against Lufra's four.
But we picked him up
And we brushed him down,
And he rated the pup
With a dreadful frown;
And then he laughed and he went and hugged her,
Seized her tail in his fist and tugged her,
And so, with a sister's hand to guide him,
Continued his march with the dog beside him.
And soon he waggles his way upstairs—
He does it alone, though he finds it steep.
He is stripped and gowned, and he says his prayers,
And he condescends
To admit his friends
To a levée before he goes to sleep.
He thrones it there
With a battered bear
And a tattered monkey to form his Court,
And, having come to the end of day,
Conceives that this is the time for play
And every possible kind of sport.
But at last, tucked in for the hundredth time,
He babbles a bit of nursery rhyme,
And on the bed
Droops his curly round head,
Gives one long sigh of unalloyed content
Over a day so well, so proudly spent,
Resigned at last to listen and obey,
And so begins to breathe his quiet night away.