“He knows how to take a fly,” said Pike; “he has had too many to be tricked with mine. Have him I must; but how ever shall I do it?”
All the way to Wellington he uttered not a word, but shambled along with a mind full of care. When I ventured to look up now and then, to surmise what was going on beneath his hat, deeply-set eyes and a wrinkled forehead, relieved at long intervals by a solid shake, proved that there are meditations deeper than those of philosopher or statesman.
CHAPTER III.
Surely no trout could have been misled by the artificial May-fly of that time, unless he were either a very young fish, quite new to entomology, or else one afflicted with a combination of myopy and bulimy. Even now there is room for plenty of improvement in our counterfeit presentment; but in those days the body was made with yellow mohair, ribbed with red silk and gold twist, and as thick as a fertile bumble-bee. John Pike perceived that to offer such a thing to Crocker's trout would probably consign him—even if his great stamina should over-get the horror—to an uneatable death, through just and natural indignation. On the other hand, while the May-fly lasted, a trout so cultured, so highly refined, so full of light and sweetness, would never demean himself to low bait, or any coarse son of a maggot.
Meanwhile Alec Bolt allowed poor Pike no peaceful thought, no calm absorption of high mind into the world of flies, no placid period of cobblers' wax, floss-silk, turned hackles, and dubbing. For in making of flies John Pike had his special moments of inspiration, times of clearer insight into the everlasting verities, times of brighter conception and more subtle execution, tails of more elastic grace and heads of a neater and nattier expression. As a poet labours at one immortal line, compressing worlds of wisdom into the music of ten syllables, so toiled the patient Pike about the fabric of a fly comprising all the excellence that ever sprang from maggot. Yet Bolt rejoiced to jerk his elbow at the moment of sublimest art. And a swarm of flies was blighted thus.
Peaceful, therefore, and long-suffering, and full of resignation as he was, John Pike came slowly to the sad perception that arts avail not without arms. The elbow, so often jerked, at last took a voluntary jerk from the shoulder, and Alec Bolt lay prostrate, with his right eye full of cobbler's wax. This put a desirable check upon his energies for a week or more, and by that time Pike had flown his fly.
When the honeymoon of spring and summer (which they are now too fashionable to celebrate in this country), the hey-day of the whole year marked by the budding of the wild rose, the start of the wheatear from its sheath, the feathering of the lesser plantain, and flowering of the meadowsweet, and, foremost for the angler's joy, the caracole of May-flies—when these things are to be seen and felt (which has not happened at all this year), then rivers should be mild and bright, skies blue and white with fleecy cloud, the west wind blowing softly, and the trout in charming appetite.
On such a day came Pike to the bank of Culm, with a loudly beating heart. A fly there is, not ignominious, or of cowdab origin, neither gross and heavy-bodied, from cradlehood of slimy stones, nor yet of menacing aspect and suggesting deeds of poison, but elegant, bland, and of sunny nature, and obviously good to eat. Him or her—why quest we which?—the shepherd of the dale, contemptuous of gender, except in his own species, has called, and as long as they two coexist will call, the “Yellow Sally.” A fly that does not waste the day in giddy dances and the fervid waltz, but undergoes family incidents with decorum and discretion. He or she, as the case may be,—for the natural history of the river bank is a book to come hereafter, and of fifty men who make flies not one knows the name of the fly he is making,—in the early morning of June, or else in the second quarter of the afternoon, this Yellow Sally fares abroad, with a nice well-ordered flutter.
Despairing of the May-fly, as it still may be despaired of, Pike came down to the river with his master-piece of portraiture. The artificial Yellow Sally is generally always—as they say in Cheshire—a mile or more too yellow. On the other hand, the “Yellow Dun” conveys no idea of any Sally. But Pike had made a very decent Sally, not perfect (for he was young as well as wise), but far above any counterfeit to be had in fishing-tackle shops. How he made it, he told nobody. But if he lives now, as I hope he does, any of my readers may ask him through the G.P.O., and hope to get an answer.