, sounds specifically distinct, are expressed by a mere modification of the same sign, or letter.
[§ 147]. The right application of an alphabet.—An alphabet may be both sufficient and consistent, accurate in its representation of the alliances between articulate sounds, and in no wise redundant; and yet, withal, it may be so wrongly applied as to be defective. Of defect in the use or application of the letters of an alphabet, the three main causes are the following:—
a. Unsteadiness in the power of letters.—Of this there are two kinds. In the first, there is one sound with two (or more) ways of expressing it. Such is the sound of
the letter f in English. In words of Anglo-Saxon origin it is spelt with a single simple sign, as in fill; whilst in Greek words it is denoted by a combination, as in Philip. The reverse of this takes place with the letter g; here a single sign has a double power; in gibbet it is sounded as j, and in gibberish as g in got.
b. The aim at secondary objects.—The natural aim of orthography, of spelling, or of writing, is to express the sounds of a language. Syllables and words it takes as they meet the ear, it translates them by appropriate signs, and so paints them, as it were, to the eye. That this is the natural and primary object is self-evident; but beyond this natural and primary object there is, with the orthographical systems of most languages, a secondary one, viz., the attempt to combine with the representation of the sound of a given word, the representation of its history and origin.
The sound of the c, in city, is the sound that we naturally spell with the letter s, and if the expression of this sound was the only object of our orthographists, the word would be spelt accordingly (sity). The following facts, however, traverse this simple view of the matter. The word is a derived word; it is transplanted into our own language from the Latin, where it is spelt with a c (civitas); and to change this c into s conceals the origin and history of the word. For this reason the c is retained, although, as far as the mere expression of sounds (the primary object in orthography) is concerned, the letter is a superfluity. In cases like the one adduced the orthography is bent to a secondary end, and is traversed by the etymology.
c. Obsoleteness.—It is very evident that modes of spelling which at one time may have been correct, may, by a change of pronunciation, become incorrect; so that
orthography becomes obsolete whenever there takes place a change of speech without a correspondent change of spelling.
[§ 148]. From the foregoing sections we arrive at the theory of a full and perfect alphabet and orthography, of which a few (amongst many others) of the chief conditions are as follow:—
1. That for every simple single sound, incapable of being represented by a combination of letters, there be a simple single sign.