GENERAL NATURE OF ARTICULATE SOUNDS.
[§ 196]. To two points connected with the subject of the following Chapter, the attention of the reader is requested.
I. In the comparison of sounds the ear is liable to be misled by the eye.
The syllables ka and ga are similar syllables. The vowel is in each the same, and the consonant is but slightly different. Now the words ka and ga are more allied to each other than the words ka and ba, ka and ta, &c., because the consonantal sounds of k and g are more allied than the consonantal sounds of k and b, k and t.
Comparing the syllables ga and ka, we see the affinity between the sounds, and we see it at the first glance. It lies on the surface, and strikes the ear at once.
It is, however, very evident that ways might be devised, or might arise from accident, of concealing the likeness between the two sounds, or, at any rate, of making it less palpable. One of such ways would be a faulty mode of spelling. If instead of ga we wrote gha the following would be the effect: the syllable would appear less simple than it really was; it would look as if it consisted of three parts instead of two, and consequently its affinity to ka would seem less than it really was. It is perfectly true that a little consideration would tell us that, as long as the sound remained the same, the relation
of the two syllables remained the same; and that, if the contrary appeared to be the case, the ear was misled by the eye. Still a little consideration would be required. Now in the English language we have, amongst others, the following modes of spelling that have a tendency to mislead:—
The sounds of ph and of f, in Philip and fillip, differ to the eye, but to the ear are identical. Here a difference is simulated.
The sounds of th in thin, and of th in thine, differ to the ear, but to the eye seem the same. Here a difference is concealed.
These last sounds appear to the eye to be double or compound. This is not the case; they are simple single sounds, and not the sounds of t followed by h, as the spelling leads us to imagine.