, or thus
פ
´ or
פ
', &c.; upon the principle that, like sounds should be expressed by like signs. The other framer of the alphabet, contemplating the difference between the two sounds, rather than the likeness, may propose, not a mere modification of the sign
פ
, but a letter altogether new, such as f, or φ, &c., upon the principle that sounds of a given degree of dissimilitude should be expressed by signs of a different degree of dissimilitude.
Hitherto the expression of the sounds in point is a matter of convenience only. No question has been raised as to its consistency or inconsistency. This begins under conditions like the following:—Let there be in the language in point the sounds of the t in tin, and of the th in thin; which (it may be remembered) are precisely in the same relation to each other as the p in pate and the f in fate. Let each of these sounds have a sign (or letter) expressive of it. Upon the nature of these signs, or letters, will depend the nature of the sign or letter required for the f in fate. If the letter expressing the th in thin be a mere modification of the letter expressing the t in tin, then must the letter expressive of the f in fate be a mere modification of the letter expressing the p in pate, and vice versâ. If this be not the case, the alphabet is inconsistent.
In the English alphabet we have (amongst others) the following inconsistency:—The sound of the f in fate, in a certain relation to the sound of the p in pate, is expressed by a totally distinct sign; whereas, the sound of the th in thin (similarly related to the t in tin) is expressed by no new sign, but by a mere modification of t; viz., th.