In the Seventh Bar repeat the last three often over after all the six. First, down, Le, D, Ce, Le, D, Ce, &c. and then proceed backwards, as Ce, D, Le, Ce, D, Le, &c.
Observe in this Eighth Bar after all six often to repeat the four first, as, La, G, Fa, Le, and
when you sing them particularly, observe the two Notes Fâ, Le, by reason their distance is a Semitone; wherefore you must take notice in the Ninth Bar to Sing them by themselves so many times as you can conveniently fix them in your Memory, as to their distance, for in this you will find it somewhat difficult to Sing the half Notes true in their proper places.
Observe here in the tenth Bar to Sing the four first Notes in their order downwards and upwards, and in the Eleventh Bar you must first Sing the six Notes in their proper order: After this repeat the four last Notes, viz. Fâ, Le, D, Ce, taking Notice to leave out the two first Notes, viz. La, G, continually observing to Mark the Semitone between Fâ, Le, which two Notes you must Sing by themselves in the Twelfth Bar.
Take notice now further, that in the thirteenth Bar you Sing Fâ, Le, D, Ce, down and up, as you find them pricked, and observe especially the three last, viz. Fâ, Le, Fa, for this reason, viz. that it is a common close or ending of Tunes.
Also observe, if in any place you doubt you Sing right a repeated part of the six Notes, premised as are noted in the Eleventh and Thirteenth Bars: Let all the six Notes be Sung over again in order, and so proceed distinctly to try at the Parts themselves.