[CHAPTER XVIII. ]
Pantomimic Families—Giuseppe Grimaldi—James Byrne, the Harlequin and Inventor of the modern Harlequin's dress—Joseph Grimaldi, Junior—The Bologna Family—Tom Ellar—The Ridgways—The Bradburys—The Montgomerys—The Paynes—The Marshalls—Charles and Richard Stilt—Richard Flexmore—Tom Gray—The Paulos—Dubois—Arthur and Charles Leclerq—"Jimmy" Barnes—Famous Pantaloons—Miss Farren—Mrs. Siddons—Columbines—Notable Actors in Pantomime
[CHAPTER XIX.]
Popular Pantomime subjects—Poor Pantomime Librettos—Pantomime subjects of our progenitors—The various versions of "Aladdin"—"The Babes in the Wood"—"Blue Beard"—"Beauty and the Beast"—"Cinderella"—"Dick Whittington"—"The House that Jack Built"—"Jack the Giant Killer"—"Jack and the Beanstalk"—"Red Riding-Hood"—"The Sleeping Beauty in the Wood"—Unlucky subjects—"Ali Baba and the Forty Thieves"—"The Fair One with Golden Locks"—The source of "Sindbad the Sailor" and "Robinson Crusoe"
[CHAPTER XX. ]
Pantomime in America
[CHAPTER XXI. ]
Pantomimes made more attractive—The Restrictive Policy of the Patent Houses—"Mother Goose" and "George Barnwell" at Covent Garden—Lively Audiences—"Jane Shore"—"Harlequin Pat and Harlequin Bat"—"The first speaking opening"—Extravagence in Extravaganzas—The doom of the old form of Pantomime—Its revival in a new form—A piece of pure Pantomime—Present day Mimetic Art—"L'Enfant Prodigue"—A retrospect—The old with the new, and conclusion