On the floor, and immediately in front of the easternmost bay which contained the altar of the Lady-chapel, are three episcopal effigies, two of which are of much interest. The most northernly, which according to Mr. Bloxam is the earliest episcopal effigy in the cathedral, is assigned by him to Bishop William of Blois, (died 1236,) who laid the foundation of this part of the church. “The effigy is sculptured in low relief, on a coffin-shaped slab, and was probably set originally on the stone coffin which contained the remains of the Bishop.... On the head is the low mitre; about the neck is seen the amice. In front of the breast, on the chasuble, is a lozenge-shaped ornament like a morse, in which stones, glass, or paste have been inserted.” Under the chasuble appears the alb, above which one of the fringed extremities of the stole is visible. The maniple hangs on the left arm. The pastoral staff crosses the body diagonally, from the left shoulder to the right foot. On each side of the head is Early English foliage. The southernmost effigy is assigned by Mr. Bloxam to Bishop Walter de Cantilupe, who died Feb. 12, 1266. It is sculptured in Purbeck marble, and represents the Bishop with a moustache and beard, wearing the low mitre, the alb, the stole, the dalmatic, and the chasuble. The amice is round the neck. “I believe,” writes Mr. Bloxam, “this effigy to have been originally placed as the lid to and on the stone coffin of Bishop Walter de Cantilupe, and to have been sculptured and prepared during the lifetime of that bishop. Great care has evidently been taken in its execution, and as a specimen of the monumental sculpture of the middle of the thirteenth century it is not without considerable merit[86].” A coffin, containing the remains of a bishop in his episcopal vestments, in all probability Walter de Cantilupe, was found in December, 1861, under the wall on the north side of the choir, near the east end. On measuring this coffin, and comparing it with the effigy described above, they were found to correspond exactly. The central effigy, which is much mutilated, is either that of Bishop Brian (died 1361) or Bishop Lynn (died 1373).
In the central bay of the north aisle is the effigy of an unknown lady, of the thirteenth century, and the earliest female effigy in the cathedral. It “is not of much merit as a work of art, but if the lady is here represented of the natural size, she must have been 6 ft. 3 in. in height. I think, however, from the examination of not a few examples, that many early sepulchral effigies were greatly exaggerated as to size[87].” In the adjoining bay is the effigy (also 6 ft. 3 in. in height) of an unknown knight, temp. Henry III. He wears mailed armour, with the long surcoat over it.
XVII. The north-eastern transept precisely resembles that opposite. The windows have been rebuilt, and restored where necessary, but without any alteration of the original design. The sculptures in the wall-arcade are curious and interesting, but no principle of arrangement is evident.
On a high tomb in the centre of the transept is a full-length figure, by Chantrey, of Charlotte Elizabeth, wife of the Rev. William Digby, who died in 1820. The sculpture is fine, but the design is scarcely appropriate, and suffers infinitely when compared with the repose and dignity of the earlier effigies in this cathedral.
Against the south wall of the transept, between it and the choir, under a Decorated arch, is an effigy which has been ascribed to Bishop Cobham, (died 1337). “The head, which is mitred, reposes on a square double cushion, supported by much mutilated figures of angels. The vestments, consisting of the chasuble, dalmatic, tunic, and alb, are not well defined[88].” Below this, “on a high tomb of the seventeenth century, and under a pointed arch of the fourteenth century,” is an effigy assigned to Bishop Wulstan Bransford, died 1349. He wears the chasuble, the dalmatic, and the alb. “The chasuble is enriched with the orfrey, or super-humerale, an ornament not unlike the archiepiscopal pall, hanging down in front, and fringed at the lower extremity[89].”
XVIII. The north choir-aisle, of the same general character as that opposite, has also been restored. The beauty of the capitals and bosses of foliage is here especially noticeable. In the last bay toward the west, on the west side of the window, and high in the wall, is a small oriel window, of Perpendicular date, formerly communicating with the sacrist’s lodgings. There is now no access whatever to it; but Norman arches in the wall (evident from without) indicate the existence of a sacrist’s chamber, and probably of a window afterwards replaced by that now existing, before the rebuilding of the choir in the thirteenth century. From the window the position of the great shrines at the head of the choir was commanded, and it perhaps served as a watching-chamber.
In this aisle (removed from the south transept) is the monument of Bishop Maddox, (1743-1759,) who had “an exact knowledge of the constitution of this national Church.”
XIX. In the easternmost bay of the south aisle of the nave a door (the Prior’s entrance) opens to the cloisters. These are of Perpendicular date, but their construction has not been recorded. They are (1866) undergoing a complete restoration, externally and internally; and the debased stone-work, inserted in the windows in 1762, has been removed. The exterior was so dilapidated that an entire re-casing was necessary; but the ancient details have been most carefully decyphered and restored. Although very perfect, however, the cloisters are of no great interest or beauty. The arrangement of the vaulting-shafts on the piers between the windows should be noticed, as well as the flowing tracery on the sides of the arches. The use of the squared openings in the piers, on three sides of the cloisters, is quite uncertain, and Professor Willis has suggested that it may have been a mere caprice of the builder[90]. The vaulting of the cloisters is lierne, with bosses of foliage. In the west walk the ancient lavatory remains.
In the north walk is the well-known sepulchral slab, with the single word Miserrimus. This “most wretched one” was the Rev. Thomas Morris, Minor Canon of Worcester, and Vicar of Claines, about two miles north of the city. At the Revolution he refused to take the oaths to William III., and consequently lost his preferments. He was supported by the richer Nonjurors, and in allusion to his destitute condition ordered this single word to be engraved on his tomb-stone. The inscription thus really intimates a very different feeling from that suggested in Wordsworth’s sonnet:—
“ ... Himself alone
Could thus have dared the grave to agitate,
And claim, among the dead, this awful crown.
Nor doubt that he marked also for his own,
Close to these cloistral steps a burial place,
That every foot might fall with heavier tread,
Trampling upon his vileness. Stranger, pass
Softly!—To save the contrite, Jesus bled.”