She presently witnessed a touching scene. At a stone’s-throw beyond the next bend stood a solitary cottage, and from the cottage came wandering a stray angel aged three, with blue eyes and golden curls and a brow of smutty pearl. The angel progressed erratically, chanting a ditty, and smiting the ground with a stick as tall as herself. So large a sceptre is awkward for handling, and it soon happened that it got between the angel’s fat legs and upset her in the mire. The ditty became an ululation. Dolly was trying to screw her recalcitrant sympathy up to the point of sympathizing when a fresh actor appeared. Round the corner spun a cyclist at full speed, who came within a hair of involving the angel and himself in one red ruin. A skilful rider, he skirted the edge of tragedy and passed safely by, but immediately jumped off his bicycle and went back to see what was wrong. He heard a perfectly unintelligible tale of woe, ruined his handkerchief by using it as a towel, consoled the angel with a penny, and sent her off with a kiss.
The last was too much for Dolly; she laughed.
“Ah! it’s you,” said Farquhar. He wheeled his bicycle to the bank and came and leaned against the gate. Something in his tone and his words, some threat in his manner (always the truthful index of his mood), prompted Dolly to say, in her chilliest tones:
“Are you going to stay?”
“I am.”
“Then I’ll go.”
She put one hand on the post to vault down. Farquhar took her wrists and forcibly stayed her. “No, you won’t; I want to talk to you.”
“Talk, then; I won’t answer you.”
“Will you answer if I let you go?”
Dolly thought for a minute and slowly answered, “Yes.”