The breast of a wooded hill, leaning towards water still as glass and green as malachite, confronted the Hôtel des Boërs, at Vresse-sur-Semois. Dark-green and silver, the valley lay below; a nightingale was singing in the dawn; and presently the gold eye of the sun, looking down through the high woods, shone on hills white with dew, spangling them with fiery drops, and changing into silver threads the little singing streams which tumbled down through bright-green dells to join the silent river. Mists cleared away like breath from a mirror, and there on the water a little lawny islet lay like an anchored dream; they had been cutting the hay, and from the grey swaths floated up the odours of Eden. Thus rose Lucian’s first day in Arden, and he was up to see the dawn.
Farquhar had gone on some weeks before to complete his arrangements. Having been brought up by his Scotch relations near Aberdeen, he knew a good deal about granite, and on his first visit of inspection had pointed out that in texture, grain, and colour the stone of the Petit-Fays quarry resembled the valuable red granite of Peterhead. The owner simply laughed him to scorn, and went about lauding his scrupulous honesty at the expense of his sense in a fashion which afforded a subtle gratification to the person praised. Nevertheless, Farquhar persisted in buying the quarry, and soon proved himself right. At once he brought over new, modern machinery, and sent for skilled workmen from England. His design was to supply the Belgian market, which had heretofore been satisfied with Scotch granite. Paving-stones, better finished than those turned out by the primitive quarries of the Meuse; polished shop-fronts for the new suburbs of Brussels, especially the splendid streets near the Boulevard d’Anspach: these he could tender at lower prices than the Scotch dealers, for in Belgium labour is cheap and the cost of transport light, especially on the state railways. For the present he retained his English workmen, with the intention of replacing them by Belgians so soon as they had learned the niceties of their trade; and for this purpose he had already formed classes for instruction in polishing and sculpture. His manager, an American named Charlesworth, had the teaching of them, and Lucian had promised to give his services as well.
The quarry, which was already in full work, lay behind the bend of the Semois, just out of sight of the hotel. In Belgium one looks for the grubbily picturesque, for endless variations on the themes of dirt and art, rather than for the beauty of rock and wood and river; yet here in the south the streams run through the loneliest, loveliest valleys, abandoned to their kingfishers and great butterflies, and musical with little springs which run among the hills. The quarries are hardly eyesores. The approaches of Farquhar’s were even picturesque; the intractable granite, interrupting with its fire-scarred shoulders the suave contour of the hills, had scattered rocks across the stream, which reared in a white ruff round each and raced away with plenty of noise and foam. The stately cliff which the quarrymen were labouring to destroy rose up behind from among trees. Lucian, who never loved his bed, by six o’clock had had his breakfast and was standing on the verge, looking down into the pit. It was unbeautiful; blackened like a hollow tooth by the smoke of the blasting, swarming with midget figures, the rocks fell away down to the depth, where the blocks of granite were being split up for convenience of loading. The graceful, deliberate crane let sink its trucks to be filled, and as slowly raised each to its appointed bourn; the noise of the steam crusher, where the chips were being ground to powder for cement, went on continuously; the boring-machine was also at work; and four or five men, splitting up a large block of granite, were playing “The Bluebells of Scotland” by striking on drills of different tones.
Presently the whistle of a siren silenced the music, and with one accord the quarrymen left their work and took shelter. Five minutes later, a detonation and strong reverberations shook the cliff; and when the smoke cleared, Lucian saw fresh boulders lying displaced from their bed, and a fresh scar graven upon the corrugated walls. So the work went on. Danger was always present; but the danger of the quarry is not like the loathsome sleuth-hound of disease which tracks down the potter and the worker in lead. It is a sudden and violent peril, which leaps out like a lion and strikes down its victim in the midst of life. Day by day the quarryman deliberately stakes against death the dearest of man’s gifts; it is not surprising that for other stakes he is a gambler, too.
There was an accident even as Lucian watched. A young Belgian neglected to obey the warning of the siren, and was overtaken. After the fumes and smoke had cleared, his mates went down and found him lying unconscious, little injured, but stupefied by the poisonous gases which the explosion had set free. A crowd came together, Farquhar among them, barely distinguishable by the eye, though the tone of his voice came up with surprising clearness. The lad was carried away, and work went on again; but Lucian was now all on fire to join the toilers and take his share in their risks. Most excitable men fall disinterestedly in love with danger at least once in their lives; Lucian himself had done so before, and had stopped a mad dog scare by picking up in his arms the supposed terror, an extremely depressed but perfectly sane fox-terrier. For this piece of uncalculated bravado he had consistently and correctly disclaimed the title of heroism, of course in vain. He turned now and marched gaily down the path, with the intention of falling to work at once; but midway down he encountered Farquhar, with Charlesworth, the quarry-master, and was stopped for introduction.
Smith Charlesworth was a huge man who would have balanced Bernard Fane upon a see-saw; he dwarfed Farquhar’s excellent proportions. His bronzed countenance might have been hammered out of the granite which he surveyed, without any great skill on the part of the craftsman; but it inspired confidence. His slow, soft voice and deliberate movements built up the notion of strength; and Lucian had not heard him speak two sentences before he knew that he liked him. Here was a man whose calm courage was not at the mercy of his nerves; a man also of stern rectitude, by nature narrow, but broadened into tolerance by experience.
“Yes, it’s a bad business about that young chap,” he was saying: “but what can you expect? It was his own fault. They’ve got industry but no method. Here’s Mr. Farquhar thinks they’re going to turn out A1 copper-bottomed sculptors, but I guess he’ll find his error. They haven’t got it in ’em.”
“Well, we’ve just got to put it in,” said Farquhar, good-humouredly. He was on his best behaviour, saying not a word that was genuine, and consequently his conversation was dull.
“What do you think of the quarry?” Lucian asked.
“First rate.” Charlesworth stepped to the edge of the pit and stood there calm as a rock, with the square toes of his big boots projecting into the air. He pointed to the dark buttress behind which the boring-machine was at work. “See that? That’s the finest sample I’ve seen out of Scotland. You mark my words; in five years you’ll be sending shipments right out to the States, and they’ll take all you’ve got and ask for more. Mr. Farquhar’s begun the right way; he’s put plenty money in the concern and he’ll take plenty out—always providing we don’t get sent to kingdom come first.”