[46] Ruins of Desert Cathay, vol. ii., p, 195. Similarly bowls with spotted glaze are indicated in several of the silk pictures found by Sir Aurel Stein at Tun–huang, which are temporarily exhibited in the King Edward VII. galleries in the British Museum.
[47] Fragments of similarly glazed ware were discovered by Sir Aurel Stein on sites in Turfan, which were supposed to be of T'ang date (see p. [134]).
[48] In a paper by Sir C. Hercules Read in the fifteenth number of Man, a publication of the Anthropological Institute.
[50] See A.W. Bahr, Old Chinese Porcelain and Works of Art in China, Plate IV.
[51] At P'ing–yang Fu, at Ho Chou, and elsewhere (see p. [97]).
[52] Ruins of Desert Cathay, vol. 11., fig. 197.
[53] Mr. C.L. Freer has in his collection in Detroit a vase of hard reddish ware with a freely drawn lotus design in brown under a pale green glaze, with parts of the flower in dry reddish brown slip or pigment over the glaze. It has the characteristic T´ang base and appears to belong to that period.
[54] The small rosettes which commonly occur In the inlaid Corean designs recall these stamped T´ang patterns. Indeed the analogy between the Corean patterns in general and those found on T´ang pottery is most significant.
[55] It is now in the collection of Mrs. Potter Palmer.