[375] See p. 225, Nos. 41 and 42.
[376] Cf. p. 25, where “high-flaming silver candle lighting up rosy beauty” is explained in this sense among the Ch’êng Hua designs.
[378] See p. 225, No. 45.
[379] See p. 224, Nos. 19 and 20.
[380] A beautiful example of a “stem-cup” in the Eumorfopoulos Collection, with three fishes on the exterior in underglaze red of brilliant quality and the Hsüan Tê mark inside the bowl, probably belongs to this class.
[382] See p. 225, No. 30.
[383] See p. 224, No. 26.
[384] See Catalogue 300–303. “On each is a miniature group of the Seven Worthies of the Bamboo Grove with an attendant bringing a jar of wine and flowers. The porcelain is so thin that the design, with all the details of colour, can be distinctly perceived from the inside.” It is only right to say that their learned possessor has catalogued them as genuine examples of the Ch’êng Hua period.