He says of the river Shire, “It drains a low and exceedingly fertile valley of from fifteen to twenty miles in breadth. Ranges of wooded hills bound this valley on both sides. After the first twenty miles you come to Mount Morambala, which rises with steep sides to 4000 feet in height. It is wooded to the top, and very beautiful. A small village peeps out about half-way up the mountain. It has a pure, bracing atmosphere, and is perched above mosquito range. The people on the summit have a very different climate and vegetation from those on the plains, and they live amidst luxuriant vegetation. There are many species of ferns, some so large as to deserve the name of trees. There are also lemon and orange trees growing wild, and birds and animals of all kinds.” Thus far we agree with our opponent but listen to him as he goes on:—
“The view from Morambala is extensive, but cheerless past description. Swamp, swamp-reeking, festering, rotting, malaria-pregnant swamp, where poisonous vapours for several months in the year are ever bulging up and out into the air,—lies before you as far as the eye can reach, and farther. If you enter the river at the worst seasons of the year, the chances are you will take the worst type of fever. If, on the other hand, you enter it during the best season, when the swamps are fairly dried up, you have everything in your favour.”
Now, our opponent gives a true statement of facts undoubtedly, but his view of them is not cheering.
Contrast them with the view of Disco Lillihammer. That sagacious seaman had entered the Shire neither in the “best” nor the “worst” of the season. He had chanced upon it somewhere between the two.
“Git up your steam an’ go ’longside,” he said to Jumbo one afternoon, as the two canoes were proceeding quietly among magnificent giant-reeds, sedges, and bulrushes, which towered high above them—in some places overhung them.
“I say, Mister Harold, ain’t it splendid?”
“Magnificent!” replied Harold with a look of quiet enthusiasm.
“I does enjoy a swamp,” continued the seaman, allowing a thin cloud to trickle from his lips.
“So do I, Disco.”
“There’s such a many outs and ins an’ roundabouts in it. And such powerful reflections o’ them reeds in the quiet water. W’y, sir, I do declare w’en I looks through ’em in a dreamy sort of way for a long time I get to fancy they’re palm-trees, an’ that we’re sailin’ through a forest without no end to it; an’ when I looks over the side an’ sees every reed standin’ on its other self, so to speak, an’ follers the under one down till my eyes git lost in the blue sky an’ clouds below us, I do sometimes feel as if we’d got into the middle of fairy-land,—was fairly afloat on the air, an’ off on a voyage through the univarse! But it’s them reflections as I like most. Every leaf, an’ stalk, an’ flag is just as good an’ real in the water as out of it. An’ just look at that there frog, sir, that one on the big leaf which has swelled hisself up as if he wanted to bust, with his head looking up hopefully to the—ah! he’s down with a plop like lead, but he wos sittin’ on his own image which wos as clear as his own self. Then there’s so much variety, sir—that’s where it is. You never know wot you’re comin’ to in them swamps. It may be a openin’ like a pretty lake, with islands of reeds everywhere; or it may be a narrow bit like a canal, or a river; or a bit so close that you go scrapin’ the gun’les on both sides. An’ the life, too, is most amazin’. Never saw nothin’ like it nowhere. All kinds, big an’ little, plain an’ pritty, queer an’ ’orrible, swarms here to sitch an extent that I’ve got it into my head that this Shire valley must be the great original nursery of animated nature.”