Passing from Europe to Africa, we note among the craft peculiar to that country the diabiah or Nile boat, a very comfortable travelling boat for warm climates. It is a large boat, and contains a house at one end, in which the passengers sleep at night, or take refuge from the sun’s fierce heat by day.
In Asia a great variety of vessels and boats of various shapes and sizes are met with, to describe all of which would carry us far beyond the space at our disposal. The dhow of the Arabs runs from sixty to a hundred tons, is almost entirely open, and has a sharp pointed bow, projecting for a considerable distance beyond the hull. On the high, broad stern a covered-in poop is placed, containing the quarters of the captain and passengers. The stern is usually ornamented with carving, as English vessels used to be in old days. The dhow carries but one sail, lateen-shaped, and the mast stoops forward at a sharp angle. These craft have not unfrequently been engaged in the nefarious slave traffic carried on on the east coast of Africa.
The catamaran of Madras can only be called a boat on the lucus a non lucendo principle, for it consists simply of three logs placed side by side, pointed at the bows, and kept together by two cross-pieces. Yet this rude raft does good service in its way, being the only means of communication in rough weather between vessels lying off Madras and the shore; for there are no wharves at Madras, and ships are compelled to anchor in the offing. When the sea runs so high that boats of the ordinary kind are useless, the services of the catamarans are gladly enough made use of.
The native boatmen, seated on their log rafts, and quite naked, make their way through the roughest surf to the vessels, carrying messages to and from the land. The rower propels his boat with a rather long paddle. Sometimes he is washed off his catamaran into the sea; but being an expert swimmer, he usually recovers his seat without much trouble, and it rarely happens that any of these men are drowned.
We spoke a little space back of the national characteristics of a people being traceable in its marine architecture as well as in other things, and surely this statement finds abundant illustration in the craft of the Chinese. In China we find an intensely conservative people, and their national bent is undoubtedly
indicated in their ships, which in all probability have not altered in any material regard for centuries. A Chinaman would be as slow to change the shape of his junk as his shoes, or the length of his pigtail. And a strange, old-world, semi-barbarous look a Chinese junk has.
Chinese junks vary greatly in size, but all present the same type of architecture. The sails in every case are of brownish-yellow matting, swung across the mast like a main-sail, and having pieces of bamboo placed cross-wise and parallel to each other, making them look somewhat like venetian blinds. These wooden strips both strengthen the sail and facilitate its reefing when lowered.
A large Chinese junk rises high out of the water; there are two or more decks aft above the main-deck, painted and carved with various devices; and the cabins are often luxuriously furnished according to Celestial tastes. If you look at any representation of a junk, you will notice that the rudder is very broad, resembling somewhat the rudder of a canal barge. In spite of its primitive look, it has, after all, something picturesque about it; but we fancy that we would rather contemplate it in a picture than sail in one across the Atlantic.
On the deck of a junk is always to be found a josshouse or temple, in front of which the crew keep incense, sticks, and perfumed paper continually burning. When a calm overtakes an English vessel, the sailors and passengers are always supposed to try what “whistling for a wind” will effect. In lieu of this method of “raising the wind,” a Chinese sailor shapes little junks out of paper, and sets them afloat on the water as a propitiatory service to the divinity who has the welfare of seamen under his especial care.