Rivers of Ice

by R. M. Ballantyne

“Yonder is something quite as good, if not better,” said Slingsby.

He pointed, as he spoke, to a part of the crevasse higher up on the glacier, where a projecting cave of snow overhung the abyss. From the under-surface of this a number of gigantic icicles hung, the lower points of the longer ones almost lost in the blue depths. A good position from which to sketch it, however, was not easily reached, and it was only by getting close to the edge of the crevasse that the persevering artist at length attained his object. Here he sat down on his top-coat, folded several times to guard him from the cold ice, spread out his colour-box and sketching-block, and otherwise made himself comfortable, while Gillie sat down beside him on his own cap, for want of a better protector.

Had these two enthusiasts known the nature of their position, they would have retired from it precipitately with horror, for, ignorant of almost everything connected with glaciers, they had walked right off the solid ice and seated themselves on a comparatively thin projecting ledge of snow which overhung the crevasse. Thus they remained for some time enjoying themselves, with death, as it were, waiting for them underneath! What rendered their position more critical was the great heat of the day, which, whatever might be the strength of the sustaining ledge, was reducing its bulk continually.

After having sketched for some time, the artist thought it advisable to see as far down into the crevasse as possible, in order to put in the point of the longest icicle. The better to do this, he unwound his rope from his waist and flung it on the ice by his side, while he lay down on his breast and looked over the edge. Still he did not perceive the danger of his position, and went on sketching diligently in this awkward attitude.

Now it was a melancholy fact that Master Gillie’s interest in art or science was short-lived, though keen. He soon tired of watching his companion, and began to look about him with a view to mischief. Not seeing anything specially suggestive, he thought of aiding the operations of nature by expediting the descent of some neighbouring boulders from their positions on ice-blocks. He intimated his intention to Slingsby, but the artist was too much engrossed to give heed to him. Just as he was rising, Gillie’s eye fell on the rope, and a happy thought struck him. To carry striking thoughts into immediate execution was a marked feature of the boy’s character. He observed that one end of the rope was attached to Mr Slingsby’s belt. Taking up the hook at the other end, he went with it towards a large boulder, drawing the rope after him with extreme care, for fear of arousing his companion by a tug. He found that, when fully stretched, it was just long enough to pass round the rock. Quickly fastening it, therefore, by means of the hook, he walked quietly away.

He did not exhibit much excitement while doing this. It was, after all, but a trifling jest in his esteem, as the only result to be hoped for would be the giving of a surprise by the little tug which might perhaps be experienced by the artist on rising.

Thereafter, Gillie sent innumerable ice-blocks to premature destruction, and enjoyed the work immensely for a time, but, having exploratory tendencies, he soon wandered about among obelisks and caverns until he found himself underneath the ice-cliff on which his friend was seated. Then, as he looked up at the overhanging ledge from which gigantic icicles were hanging, a shock of alarm thrilled his little breast. This was increased by the falling of one of the icicles, which went like a blue javelin into the crevasse beside him. Gillie thought of shouting to warn Mr Slingsby of his danger, but before he could do so he was startled by an appalling yell. At the same moment part of the ice overhead gave way, and he beheld the artist descending. He was stopped with a sudden jerk, as the rope tightened, and remained suspended in the air, while his coat and colour-box accompanied icicles and snow-blocks into the abyss below. A second later and the struggling artist’s head appeared to fall off, but it was only his hat.

Gillie had by this time recovered himself so far as to be able to add his piercing shrieks for help to the cries of the artist, and well was it that day for Mr Slingsby that Gillie had, since the years of infancy, practised his lungs to some purpose in terrifying cats and defying “Bobbies” in the streets of London.

“Oh, sir! sir!—I say—hi!” he cried, panting and glaring up.

“Eh? what? Hah!” gasped Slingsby, panting and glaring down.