“You are all fond of music,” he said. “Who does not know that the Malagasy are good singers? The songs you have already sung have delighted my ears, and the clapping of your hands has been in the best of time; but you shall soon have music such as the idols would enjoy, I have no doubt, when in a merry mood.”
The chief uttered the last sentence with an air of good-natured contempt, for he was what we may style an unbeliever in all gods—not an uncommon state of mind in men of superior intelligence when they think seriously of the debasing absurdities of idolatry.
“Now, my friend,” he said, turning to John Hockins, with an air and tone of command, “let them hear the little pipe on which you—you—tootle-ootle.”
Hockins had much ado to keep his gravity as he drew out the flageolet, and every eye was instantly fixed on him in glaring expectancy.
It need hardly be said that the effect of the sweet instrument was very powerful, and it is probable that the party of admirers might have taxed the seaman’s powers of performance to the uttermost, if they had not been suddenly interrupted by the entrance of a tall wild-looking man, who was evidently in a state of tremendous excitement.
He wore the usual cloth round the loins, and the lamba, which was thrown like a Scottish chieftain’s plaid over his left shoulder—but these garments bore evidence of rough usage and hard travel. The man was not a stranger, for, as he suddenly stood panting vehemently in the midst of the party, with his long arms outstretched, Voalavo addressed him in tones of surprise.
“Razafil!” he exclaimed. “Glad are we to see the Bard of Imarina. Your coming is well-timed. We are feasting, and singing, and story-telling. Words from the poet will be welcome.”
Notwithstanding the friendly reception thus accorded to the Bard of Imarina, it was evident that the words were thrown away upon him, for he continued for some time to glare and pant while perspiration rolled down his face, and it became clear to every one that something was wrong with him. At last he spoke in a kind of low singing tone which harmonised with his appearance—
“Vain man! Observ’st thou not the dead?
The morning warmth from them has fled,
Their mid-day joy and toil are o’er,
Though near, they meet fond friends no more.”
He paused and looked wildly yet tremblingly round, as if in search of some one, but took no notice of his friends, many of whom were present at the gathering. Then he continued in the same strain—