Now, it was in the expounding of the Pilgrim’s Progress that John Adams’s peculiar talents shone out brilliantly, for not only did he “misremember,” jumble, and confuse the whole allegory, but he so misapprehended its meaning in many points, that the lessons taught and the morals drawn were very wide of the mark indeed. In regard to some particular points, too, he felt himself at liberty to let his genius have free untrammelled scope, as, for instance, in the celebrated battle between Christian and Apollyon. Arguing with himself that it was not possible for any man to overdo a fight with the devil, Adams made up his mind to “go well in” for that incident, and spent a whole evening over it, keeping his audience glaring and on the rack of expectation the whole time. Taking, perhaps, an unfair advantage of his minute knowledge as a man-of-war’s-man of cutlass-drill and of fighting in general, from pugilistic encounters to great-gun exercise, including all the intermediate performances with rapiers, swords, muskets, pistols, blunderbusses, and other weapons for “general scrimmaging,” he so wrought upon the nerves of his hearers that they quivered with emotion, and when at last he drove Apollyon discomfited from the field, like chaff before the wind, there burst forth a united cheer of triumph and relief, Dan McCoy, in particular, jumping up with tumbled yellow locks and glittering eyes in a perfect yell of exultation.
But, to return from this digression to the story of Robinson Crusoe. It must not be supposed that Adams exhausted that tale in one night. No; soon discovering that he had struck an intellectual vein, so to speak, he resolved to work it out economically, and with that end in view, devoted the first evening to a minute dissection of Crusoe’s character as a man and a seaman, to the supposed fitting out and provisioning of his ship, to the imaginary cause of the disaster to the ship, which, (with Bligh, no doubt, in memory), he referred to the incompetence and wickedness of the skipper, and to the terrible incidents of the wreck, winding up with the landing of his hero, half-dead and alone, on the uninhabited island.
“Now, child’n,” he concluded, “that’ll do for one night; and as it’s of no manner of use sending you all to bed to dream of bein’ shipwrecked and drownded, we’ll finish off with a game of blind-man’s-buff.”
Need we say that the disappointment at the cutting short of the story was fully compensated by the game? Leaping up with another cheer, taught them by the best authorities, and given with true British fervour, they scattered about the room.
Otaheitan Sally was, as a matter of course, the first to be blindfolded.
And really, reader, it was wonderful how like that game, as played at Pitcairn, was to the same as performed in England. To justify this remark, let us describe it, and see whether there were any points of material difference.
The apartment, let it be understood, was a pretty large one, lighted by two nut-candles in brackets on the walls. There was little furniture in it, only a few stools and two small tables, which were quickly thrust into a corner. Then Sally was taken to the centre of the room by Adams, and there blindfolded with a snuff-coloured silken bandana handkerchief, which had seen much service on board of the Bounty.
“Now, Sall, can you see?” asks Adams.
“No, not one bit.”
“Oh, yes you can,” from Charlie Christian, who hovers round her like the moth round the candle.