“If the whale had brought his flail down on your pate it would have served you right, Biarne,” said Freydissa, flushing, yet smiling in spite of herself.
“I think it is capital,” cried Olaf, clapping his hands—“quite as good as the other poem.”
Some agreed with Olaf, and some thought that it was not quite in keeping with Karlsefin’s composition, but, after much debate, it was finally ruled that it should be added thereto as part and parcel of the great Vinland poem. Hence it appears in this chronicle, and forms an interesting instance of the way in which men, for the sake of humorous effect, mingle little pieces of fiction with veritable history.
By the time this important matter was settled it was getting so late that even the most enthusiastic admirer among them of moonlight on a calm sea became irresistibly desirous of going to sleep. They therefore broke up for the night; the women retired to their cabin, and none were left on deck except the steersman and the watch. Long before this the saga-tellers on the forecastle had retired; the monotone and the soft lowing of the cattle had ceased; man and beast had sought and found repose, and nothing was heard save the ripple of the water on the ship’s sides as she glided slowly but steadily over the sleeping sea.
Chapter Six.
Changes in Wind and Weather Produce Changes in Temper and Feeling—Land Discovered, and Freydissa Becomes Inquisitive.
There are few things that impress one more at sea than the rapidity of the transitions which frequently take place in the aspect and the condition of vessel, sea, and sky. At one time all may be profoundly tranquil on board; then, perhaps, the necessity for going “about ship” arises, and all is bustle; ropes rattle, blocks clatter and chirp, yards creak, and seamen’s feet stamp on the deck, while their voices aid their hands in the hauling of ropes; and soon all is quiet as before. Or, perhaps, the transition is effected by a squall, and it becomes more thorough and lasting. One moment everything in nature is hushed under the influence of what is appropriately enough termed a “dead calm.” In a few seconds a cloud-bank appears on the horizon and one or two cats-paws are seen shooting over the water. A few minutes more and the sky is clouded, the glassy sea is ruffled, the pleasant light sinks into a dull leaden grey, the wind whistles over the ocean, and we are—as far as feeling is concerned—transported into another, but by no means a better, world.
Thus it was with our adventurers. The beautiful night merged into a “dirty” morning, the calm into a breeze so stiff as to be almost a gale, and when Olaf came out of the cabin, holding tight to the weather-bulwarks to prevent himself from being thrown into the lee-scuppers, his inexperienced heart sank within him at the dreary prospect of the grey sky and the black heaving sea.