“Eh? willin’ to go? Why, Nippi-Too-Cumble, wot a rum customer you are, to be sure!”
“Yis, massa,” rejoined the negro. “Me not goin’ to be king now, anyhow; so it ob no use stoppin’ here. Me go to sea.”
“Not goin’ to be king? How d’ye know that?”
“’Cause dat oder nigger, him be made king in a berry short time. You mus’ know, dat w’en dey make wan king in dis here place, de peeple choose de man; but dey not let him know. He may guess if him please—like me—but p’raps him guess wrong—like me! Ho! ho! Den arter dey fix on de man, dey run at him and kick him, as you hab seen dem do, and spit on him, and trow mud ober him, tellin’ him all de time, ‘You no king yet, you black rascal; you soon be king, and den you may put your foots on our necks and do w’at you like, but not yit; take dat, you tief!’ An’ so dey ’buse him for a littel time. Den dey take him straight away to de palace and crown him, an’, oh! arter dat dey become very purlite to him. Him know dat well ’nuff, and so him not be angry just now. Ah! me did ’xpec, to hab bin kick and spitted on dis berry day!”
Poor Neepeelootambo uttered the last words in such a deeply touching tone, and seemed to be so much cast down at the thought that his chance of being “kicked and spitted upon” had passed away for ever, that Phil Briant burst into a hearty fit of laughter, and Tim Rokens exhibited symptoms of internal risibility, though his outward physiognomy remained unchanged.
“Och! Bumble, you’ll be the death o’ me,” cried Briant. “An’ are they a-crownin’ of him now?”
“Yis, massa. Dat what dey go for to do jist now.”
“Troth, then, I’ll go an’ inspict the coronation. Come along, Bumble, me darlint, and show us the way.”
In a few minutes Neepeelootambo conducted his new friends into a large rudely-constructed hut, which was open on three sides and thatched with palm-leaves. This was the palace before referred to by him. Here they found a large concourse of negroes, whose main object at that time seemed to be the creation of noise; for besides yelling and hooting, they beat a variety of native drums, some of which consisted of bits of board, and others of old tin and copper kettles. Forcing their way through the noisy throng they reached the inside of the hut, into which they found that Ailie Dunning and Glynn Proctor had pushed their way before them. Giving them a nod of recognition, they sat down on a mat by their side to watch the proceedings, which by this time were nearly concluded.
The new king—who was about to fill the throne rendered vacant by the recent death of the old king of that region—was seated on an elevated stool looking very dignified, despite the rough ordeal through which he had just passed. When the noise above referred to had calmed down, an old grey-headed negro rose and made a speech in the language of the country, after which he advanced and crowned the new king, who had already been invested in a long scarlet coat covered with tarnished gold lace, and cut in the form peculiar to the last century. The crown consisted of an ordinary black silk hat, considerably the worse for wear. It looked familiar and commonplace enough in the eyes of their white visitors; but, being the only specimen of the article in the district, it was regarded by the negroes with peculiar admiration, and deemed worthy to decorate the brows of royalty.