To this haven of rest Samuel Ravenshaw had retired, after spending an active life in the service of the fur-traders, somewhat stiffened in the joints by age and a rough career, and a good deal soured in disposition because of promotion having, as he thought, been too long deferred.
Besides Elsie, old Ravenshaw possessed some other gems of inferior lustre. His wife Maggie, a stout, well-favoured lady, with an insufficient intellect and unbounded good humour, was of considerable intrinsic value, but highly unpolished. His second daughter, Cora, was a thin slip of sixteen years, like her mother in some respects—pretty, attractive, and disposed to take life easily. His eldest son, Victor, a well-grown lad of fourteen, was a rough diamond, if a diamond at all, with a soul centred on sport. His second son, Anthony, between five and six, was large and robust, like his father. Not having been polished at that time, it is hard to say what sort of gem Tony was. When engaged in mischief—his besetting foible—his eyes shone like carbuncles with unholy light. He was the plague of the family. Of course, therefore, he was the beloved of his parents.
Such were the chief inmates of Willow Creek, as old Ravenshaw styled his house and property.
It was midwinter. The owner of Willow Creek stood at his parlour window, smoking and gazing. There was not much to look at, for snow had overwhelmed and buried the landscape, fringed every twig of the willows, and obliterated the frozen river.
Elsie was seated by the stove, embroidering a pair of moccasins.
“Victor is bringing down some of the lads to shoot to-day, father,” she said, casting a furtive glance at her sire.
“Humph! that boy does nothing but shoot,” growled the old man, who was a giant in body if not in spirit. “Who all is he bringing?”
“There’s John Flett, and David Mowat, and Sam Hayes, and Herr Winklemann, and Ian Macdonald, and Louis Lambert—all the best shots, I suppose,” said Elsie, bending over her work.
“The best shots!” cried Mr Ravenshaw, turning from the window with a sarcastic laugh. “Louis Lambert, indeed, and Winklemann are crack shots, and John Flett is not bad, but the others are poor hands. Mowat can only shoot straight with a crooked gun, and as for that half-cracked schoolmaster, Jan Macdonald, he would miss a barn door at fifty paces unless he were to shut his eyes and fire at random, in which case he’d have some chance—”
“Here they is; the shooters is comin’. Hooray!” shouted Master Anthony Ravenshaw, as he burst into the room with a scalping-knife in one hand and a wooden gun in the other. “An’ I’s goin’ to shoot too, daddy!”