A low growl in the bushes a little distance ahead of them put an abrupt termination to the conversation. Gibault threw forward the muzzle of his gun, and glanced at his comrade. The glance did not tend to comfort him. The artist was pale as death. This, and an occasional twitch of the lip, were clear and unmistakable signs to the backwoodsman that fear had taken possession of his friend, and that he was not to be counted on in the moment of danger. Yet there was a stern knitting of the eyebrows, and a firm pressure of the lips, that seemed to indicate better qualities, and perplexed him not a little.
“P’r’aps, monsieur,” suggested Gibault hesitatingly, “you had better vait for de canoe.”
“Lead on!” said the artist, cocking both pistols, and pointing with one of them to the place whence the growl had issued.
Gibault elevated his eyebrows, shrugged his shoulders characteristically, and, uttering the single word “bien!” walked quickly forward.
A few steps brought him to an open space, in the midst of which the grisly bear was discovered. It was seated on its haunches, looking sulkily about, as if it had a suspicion that enemies were tracking it. Creeping with the utmost caution on his hands and knees, Gibault got to within forty yards of the monster, whose aspect at that moment was enough to try the courage of most men. There was a wicked glare in his little eye, as he swayed his huge body from side to side, that indicated but too clearly the savage nature of his disposition. Even Gibault felt a little uneasy, and began to think himself a fool for having ventured on such an expedition alone. His state of mind was not improved by the sound of the artist’s teeth chattering in his head like castanets.
Taking a very long and deliberate aim at the bear’s heart, he pulled the trigger, but the faithless lock of his old flint-gun missed fire. Without a sign of annoyance or agitation, the trapper recocked the gun, again pulled the trigger, and with the same result. Three times this occurred, and at each click of the lock the bear cocked his ears inquiringly. The third time, he rose and sauntered slowly towards the spot where the men lay concealed.
“Stay,” whispered the artist, as Gibault was once more about to try his piece, after rubbing the edge of his flint with his thumb-nail; “stay, I will fire.”
So saying, he suddenly pointed a pistol straight at the advancing monster and fired. A tremendous roar followed the report. Gibault leaped up, exclaiming angrily, “Vat foolishness! a pistol! hah! ve must run.” He turned at once to do so.
“Stay!” cried the artist, who no longer trembled, though his countenance was still ashy pale, “I have another pistol.”
“Does you vish to die?” yelled the trapper, seizing his comrade by the collar.