“He don’t understand ye,” interposed Bounce, “knows, nothin’ but his own mother tongue. We do live pretty middlin’ so so hereabouts when we ain’t starvin’, w’ich it isn’t for me to deny is sometimes the case, d’ye see.”
Bounce stopped his own talk at this point by stuffing his mouth so full of meat that no word, not even a word of one syllable, could have forced itself out, had it tried ever so much. A long silence now ensued, during which the clack of seven pairs of active jaws was the only sound that broke upon the ear. It might have been observed, however, that all eyes were fixed more or less wonderingly on the stranger. Big Waller in particular looked him, figuratively speaking, through and through. He did not remove his eyes off him for an instant, but devoured his food with somewhat the expression of a dog that expects his bone to be snatched from him.
“Try a duck,” said March Marston to the artist, observing that he had finished his steak.
“Thank you,” answered the artist, accepting the proffered bird, which happened to be a teal, and beginning to carve it with a pen-knife. He had no fork, but used the fingers of his left hand instead.
Silence again ensued.
“Try another,” said March again.
The artist hesitated.
“You’d better; it’s a fat un.”
“N–no. No!” said the artist, shutting up his knife with an air of decision. “No, thank you, I always advocate moderation, and it would ill become me to set an example of glut—ah, of the reverse.”
“Wal, stranger,” said Waller, who, having finished eating, wiped his mouth with a tuft of grass, and began to fill his pipe. “You do come out in the way o’ moderation rather powerful. Why a teal duck an’ a ven’son steak is barely enough to stop a feller dyin’ right off. I guess a down-east baby o’ six months old ’ud swab up that an’ axe for more.”