“And men also, if I fall in with them.”
“Then here’s one, I guess,” cried the bold Yankee, combing out his matted locks hastily with his fingers, and sitting up in what he conceived to be a proper position. “Here you are, sir. I’m your man; fix me off slick. Only think! Big Waller in a book—a raal book!”
He chuckled immensely at the bright prospect of immortality that had suddenly opened up to him.
“I have drawn you already, friend,” said Bertram.
“Draw’d me already?”
“Ay, there you are,” he replied, handing his sketch-book to the trapper, who gazed at his own portrait with unmitigated satisfaction. Turning over the leaf, he came unexpectedly on the likeness of Gibault, which, being a truthful representation, was almost a caricature. Big Waller burst into an uncontrollable fit of laughter at this. He rolled over on his back and yelled with delight. His yell being quite in keeping with his body, the din was so tremendous that Bounce roared—
“Stop yer noise, ye buffalo!”
But Waller didn’t hear him; so March Marston effected the desired object by stuffing the corner of a blanket into his mouth and smothering his face in its folds.
Bertram’s sketch-book was now examined, and for nearly an hour proved a source of the most intense interest and amusement to these unsophisticated trappers. In those days few, very few men of education had succeeded in penetrating far into the western wilderness; and although the trappers there knew what books and pictures meant, they had seen but few of them in the course of their lives, and none of those few had any reference to the wild country in which their lives were spent.
It may be imagined, then, with what delight and excitement they now, for the first time, beheld scenes of their own beloved woods and prairies, as well as their own rough forms, vividly sketched by a master-hand. One of the most interesting points in the inspection of the sketch-book was, that old Redhand recognised almost every one of the landscapes as spots with which he was well acquainted; and as Bertram had sketched most diligently as he travelled along, Redhand told him that by the aid of that book, without compass or anything else, he could trace his route backward, step by step, to the Saskatchewan river. Moreover, he described to the artist accurately many scenes which were near to those he had sketched, and gradually fell to talking about adventures and rencontres he had had in many of them, so that at last it became evident there would be no proposal to go to rest that night at all unless some wise one of the party should remind the others that another day’s toil lay before them in the course of a few hours.