“What! can’t swim?” he exclaimed, running down the bank to the edge of the water. Baptiste was before him, however. In a moment he plunged in up to the neck, stretched forth his arm, grasped Hugh by the hair, and dragged him to the land.
Chapter Eight.
Farewell to Kate—Departure of the brigade—Charley becomes a voyageur.
On the following day at noon, the spot on which the late combat had taken place became the theatre of a stirring and animated scene. Fort Garry, and the space between it and the river, swarmed with voyageurs, dressed in their cleanest, newest, and most brilliant costume. The large boats for the north, six in number, lay moored to the river’s bank, laden with bales of furs, and ready to start on their long voyage. Young men, who had never been on the road before, stood with animated looks watching the operations of the guides as they passed critical examination upon their boats, overhauled the oars to see that they were in good condition, or with crooked knives (a species of instrument in the use of which voyageurs and natives are very expert) polished off the top of a mast, the blade of an oar, or the handle of a tiller. Old men, who had passed their lives in similar occupations, looked on in silence—some standing with their heads bent on their bosoms, and an expression of sadness about their faces, as if the scene recalled some mournful event of their early life, or possibly reminded them of wild, joyous scenes of other days, when the blood coursed warmly in their young veins, and the strong muscles sprang lightly to obey their will; when the work they had to do was hard, and the sleep that followed it was sound—scenes and days that were now gone by for ever. Others reclined against the wooden fence, their arms crossed, their thin white hair waving gently in the breeze, and a kind smile playing on their sunburned faces, as they observed the swagger and coxcombry of the younger men, or watched the gambols of several dark-eyed little children—embryo buffalo-hunters and voyageurs—whose mothers had brought them to the fort to get a last kiss from papa, and witness the departure of the boats.
Several tender scenes were going on in out-of-the-way places—in angles of the walls and bastions, or behind the gates—between youthful couples about to be separated for a season. Interesting scenes these of pathos and pleasantry—a combination of soft glances and affectionate, fervent assurances; alternate embraces (that were apparently received with reluctance, but actually with delight), and proffers of pieces of calico and beads and other trinkets (received both apparently and actually with extreme satisfaction) as souvenirs of happy days that were past, and pledges of unalterable constancy and bright hopes in days that were yet to come.
A little apart from the others, a youth and a girl might be seen sauntering slowly towards the copse beyond the stable. These were Charley Kennedy and his sister Kate, who had retired from the bustling scene to take a last short walk together, ere they separated, it might be for years, perhaps for ever! Charley held Kate’s hand, while her sweet little head rested on his shoulder.
“O Charley, Charley, my own dear, darling Charley, I’m quite miserable, and you ought not to go away; it’s very wrong, and I don’t mind a bit what you say, I shall die if you leave me!” And Kate pressed him tightly to her heart, and sobbed in the depth of her woe.
“Now, Kate, my darling, don’t go on so! You know I can’t help it—”