Paddy said this so earnestly that it had the double effect of chaining the attention of his hearers and sending a flash of light into Tom Brixton’s brain.
“Now or never!” he muttered to himself, and turned gently on his side so as to be able to feel the cord that bound his wrists. It was still tight, but, by moving his fingers, he could feel that one of its coils had really been cut, and that with a little patience and exertion he might possibly free his hands.
Slight as the motion was, however, Gashford observed it, for the fire-light shone brightly on Tom’s recumbent figure.
“Lie still, there!” he cried, sternly.
Tom lay perfectly still, and the Irishman continued his story. It grew in mystery and in horror as he proceeded, and his audience became entranced, while some of the more superstitious among them cast occasional glances over their shoulders into the forest behind, which ere long was steeped in the blackness of an unusually dark night. A few of those outside the circle rose and drew nearer to the story-teller.
At that moment a gleam of light which had already entered Brixton’s brain flashed into that of Fred Westly, who arose, and, under pretext of being too far off from the speaker, went round to the opposite side of the fire so as to face him. By so doing he placed himself between the fire and his friend Tom. Two or three of the others followed his example, though not from the same motive, and thus, when the fire burnt low, the prisoner found himself lying in deep shadow. By that time he had freed his benumbed hands, chafed them into a condition of vitality, and was considering whether he should endeavour to creep quietly away or spring up and make a dash for life.
“‘Now or niver,’ said the ghost, in a solemn muffled vice,” continued Paddy—
“Who did he say that to?” asked Gashford, who was by that time as much fascinated as the rest of the party.
“To the thief, sor, av coorse, who was standin’ tremblin’ fornint him, while the sexton was diggin’ the grave to putt him in alive—in the dark shadow of a big tombstone.”
The Irishman had now almost reached the climax of his story, and was intensely graphic in his descriptions—especially at the horrible parts. He was obviously spinning it out, and the profound silence around told how completely he had enchained his hearers. It also warned Tom Brixton that his time was short, and that in his case it was indeed, “now or never.”