Under the Waves: Diving in Deep Waters

by R. M. Ballantyne

Here Edgar Berrington, clothed in white canvas and oil, finds genial companionship. He dotes on the great crank. It is a sympathetic thing. It represents his feelings wonderfully. Returning from the deck after inhaling a little fresh air, he leans against the iron bulkhead in these clanking depths and gazes gloomily and for prolonged periods at the crank while it grinds with a sort of vicious energy that seems in strange harmony with his soul. Sometimes he grinds his teeth as a sort of obbligato accompaniment—especially if he has while on deck, during a wistful gaze at the distant perspective of the aft-regions, beheld, (or fancied he has beheld) a familiar and adored form.

At first the passengers were sick—very sick, most of them—insomuch that there were some who would gladly, if possible, have surrendered their lives with their dinners; but by degrees they began to improve, and to regard meals with anticipation instead of loathing. When the sunny and calm latitudes near the line were reached, every one grew well and hearty, and at last there was not a sad soul on board except the poor sick lad who studied the screw and measured the ever-increasing distance from home. One of the first evidences of the return of health was the sound of song. When the nights were clear and calm, and naught was audible save the grinding of the screw, the passengers crystallised naturally into groups in the same way that ice-particles arrange themselves in sympathetic stars; and from several such constellations the music of the spheres was naturally evolved.

One of these crystals was formed, usually in a tent on deck, by the attractive influence of smoke. It was consequently not a bright crystal, and included particles both refined and otherwise. Its music was gruff for the most part, sometimes growly. There was another crystal which varied its position occasionally—according to the position of the moon, for it was a crystal formed of romantic elements. One of its parts was a Scottish maiden whose voice was melodious, flexible, and very sweet. Her face and spirit had been made to match. She had many admirers, and a bosom-friend of kindly heart and aspect, with wealth of golden hair, in some respects like herself.

Our heroine Aileen, being passionately fond of music, and herself a sweet singer, attached herself to this crystal, and became as it were another bosom-friend.

Two bearded men were also much given to seek attachment to this crystal. They also seemed knit to each other in bosom-friendship—if we may venture to use such a term with reference to bearded men. One was amateurly musical, the other powerfully sympathetic. A pastor, of unusually stalwart proportions, with a gentle pretty wife and lovable family, also had a decided leaning to this crystal.

One evening the group, finding its favourite part of the deck occupied, was driven to a position near the tent of the smoky crystal, and, sitting down not far from the engineer’s quarters, began to indulge in song. Grave and gay alternated. Duets followed; trios ensued, and miscellaneous new forms of harmony sometimes intervened.

“Do sing a solo, Miss Hazlit,” said the Scottish maiden. “I like your voice so much, and want to hear it alone. Will you sing?”

Aileen had an obliging spirit. She at once began, in a low contralto voice, “I cannot sing the old songs.”

Sometimes in private life one hears a voice so sweet, so thrilling, with a “something” so powerful in it, that one feels, amid other sensations of pleasure, great satisfaction to think that none of the public singers in the world could “bat that” if they were to try their best, and that few of them could equal it!

Such a voice was that of our heroine. It drew towards her the soul, body, and spirit of the music-lovers who listened. Of course we do not deny that there were some who could not be drawn thus. There were a few, among the smoky crystals, for whom a draw of the pipe or a mildly drawn pot of bitter beer had greater charms than sweet sounds, however melting. With the exceptions of these, nearly all who chanced to be within hearing drew near to the musical group, and listened while that most, beautiful of songs was being warbled in tones not loud but inexpressibly pathetic.