Monsieur Nadar, a photographer of Paris, was the enthusiastic and persevering aeronaut who called it into being, and encountered the perils of its ascents, from which he did not emerge scatheless, as we shall see.
Besides being an experimental voyager in cloudland, Monsieur Nadar started a newspaper named L’Aéronaute, in which he gives an account of the “Giant,” and his reasons for constructing it.
These latter were peculiar. He is emphatic in asserting that the huge balloon was never intended by him to be an “end,” but a mere stepping-stone to an end—which end was the construction of an aeromotive—a machine which was to be driven by means of a screw, and which he intended should supersede balloons altogether, so that his own “Giant” was meant to be the last of its race!
In reference to this, Monsieur Nadar tells us that he was deeply impressed with the belief that the screw would ultimately become our aerial motor, but that, being ignorant of what it was likely the experiments of this first aeromotive would cost, he had resolved, instead of begging for funds to enable him to accomplish his great end, to procure funds for himself in the following manner:—
“I shall,” says he, “make a balloon—the last balloon—in proportions extraordinarily gigantic, twenty times larger than the largest, which shall realise that which has never been but a dream in the American journals, which shall attract, in France, England, and America, the crowd always ready to run to witness the most insignificant ascent. In order to add further to the interest of the spectacle—which, I declare beforehand, without fear of being belied, shall be the most beautiful spectacle which it has ever been given to man to contemplate,—I shall dispose under this monster balloon a small balloon (balloneau), destined to receive and preserve the excess of gas produced by dilation, instead of losing this excess, as has hitherto been the case, which will permit my balloon to undertake veritable long voyages, instead of remaining in the air two or three hours only, like our predecessors. I do not wish to ask anything of any one, nor of the State, to aid me, even in this question of general, and also of such immense, interest. I shall endeavour to furnish myself the two hundred thousand francs necessary for the construction of my balloon. The said balloon finished, by public ascents and successive exhibitions at Paris, London, Brussels, Vienna, Baden, Berlin, New York, and everywhere, I know that I shall collect ten times the funds necessary for the construction of our first aeromotive.”
This first aeromotive, however, has not yet made its appearance, whether from want of funds or of practicability we do not know, but Monsieur Nadar carried his designs triumphantly into effect with the “monster balloon,” which in course of time made its appearance, performed flights, attracted the wonder and admiration, as well as a good deal of the coin, of hundreds of thousands in France and England, even conveyed royalty up into the clouds, broke the bones of its originator, and was exhibited in the great transept (which it nearly filled) of the Crystal Palace at Sydenham. While there we had the good fortune to behold it with our own eyes!
The construction of this balloon merits particular notice; but first, it may be remarked that it is well worthy of being named a giant, seeing that its height was only forty-five feet less than that of the towers of Notre Dame Cathedral, namely 196 feet.
That Nadar had cut out for himself an arduous task will be readily believed. Touching on this, he writes thus:—
“I have set myself to work immediately, and with difficulties, sleepless nights, vexations which I have kept to myself alone to this hour, and which some one of the days of this winter, the most urgent part of my task being finished, I shall in part make in confidence to my readers. I have succeeded in establishing my balloon, in founding at the same time this journal—indispensable moniteur to the aerial automotive—and in laying the basis of that which shall be, perhaps, the greatest financial operation of the age. Those who shall see and appreciate these labours, will please to pardon me, I hope, for having wiped my forehead with a little touch of pride, when at the end of a month—one month!—I have said to myself, ‘it is done!’”
The “Giant” was composed of yellowish white silk, of which there were used 22,000 yards at about 5 shillings 4 pence a yard, so that the cost of the silk alone was 5,866 pounds. This was cut into 118 gores, which were entirely hand-sewed with a double seam, and some idea of the vastness of the work may be gathered from the fact that 200 women were employed during a month in the sewing of the gores. For the sake of greater strength the silk was doubled. In other words, there were two balloons of the same size, one within the other.