Monsieur Mallet, the learned author of the ingenious work on Northren Antiquities, seems to consider Fairies and Elves as synonymous terms. In his remarks on the ninth fable of the Edda, we find him thus expressing himself.—“Alfheim signifies, in Gothic, the abode of the Genii, that is, the Fairies of the male-sex.” To prove the Gothic origin of our Elf, we need only appeal to the devotion he shews to the bottle. His conduct at the Dunse Festival is truly northern, and the mighty Thor himself, the great champion of Scandinavian revelry, could not have displayed greater zeal in emptying the enchanted horn.—But of this the reader may judge by perusing the Gothic fable.—
THE TWENTY-FIFTH FABLE.
Of the Trials that Thor underwent.
“Then the king asked Thor, in what art he would choose to give proof of that dexterity for which he was so famous. Thor replied, that he would contest the prize of drinking with any person belonging to his court. The king consented, and immediately went into his palace to look for a large horn, out of which his courtiers were obliged to drink when they had committed any trespass against the customs of the court.[17] This the cup-bearer filled to the brim, and presented to Thor, whilst the king spake thus.—Whoever is a good drinker, will empty that horn at a single draught; some persons make two of it; but the most puny drinker of all can do it at three. Thor looked at the horn, and was astonished at its length;[18] however, as he was very thirsty, he set it to his mouth, and, without drawing breath, pulled as long and as deeply as he could, that he might not be obliged to make a second draught of it; but when he withdrew the cup from his mouth, in order to look in, he could scarcely perceive any of the liquor gone. To it he went again with all his might, but succeeded no better than before. At last, full of indignation, he again set the horn to his lips, and exerted himself to the utmost to empty it entirely: then looking in, he found that the liquor was a little lowered; upon this, he resolved to attempt it no more, but gave back the horn. I now see plainly, says the king, that thou art not quite so stout as we thought thee; but art thou willing to make any more trials? I am sure, says Thor, such draughts as I have been drinking, would not have been reckoned small among the Gods.
MALLET’S NORTH. ANTIQ. VOL. II, P. 126-127.”
NOTES TO CANTO SECOND.
NOTE I, P. 60.
He strode a poney, lank and lean,
That looked as if astray ’t had been;
Dun was its hue, with flowing-mane;
The tail was black, and like a train—
Contrary to the custom of the Manx Fairies, it might be inferred, that our Groom had just returned from the sanctuary of sportsmen, with a nag of the native breed. But having already made considerable progress in establishing the origin of the rider, we shall now take some pains in proving to our readers the pedigree of the steed: and in asserting him to be from the stock of the far-famed Sleipner, we hope to be borne out by his performances, and confirmed by probability in our opinion. The circumstance of that noted stallion having had eight legs, does not in the least degree weaken our belief in the genuine descent of the Goblin’s poney; for, reasoning by analogy, we have never yet heard of a parent with a wooden-leg transmitting timber-toes to posterity.
To those sportsmen who confine their genealogical inquiries to the general stud-book and racing-calendar, we present, in the words of the Gothic Edda, the history of a horse, more famed than the Childer’s Barb, or the Godolphin Arabian.—