Fig. 7
SECTION OF IMPERIAL AXMINSTER. 3-SHOT
A, Chain; B, Tufts; C, Stuffer warp; D, Double weft
The diagram of another method of weaving this quality is given in Fig. 8.
Three warps are used here again, but as each undergoes a different rate of consumption, they are wound upon three separate beams. The stuffer, as before, runs straight; one chain binds the bottom and the intermediate shots, and the other the tuft shot. In this case, the tuft, equally supported on each side, tends to remain vertical, while the bottom weft, projecting below the tuft weft, gives the back a ribbed appearance.
Fig. 8
SECTION OF AXMINSTER. 3-SHOT
A, Chain; B, Tufts; C, Stuffer warp; D, Double weft
Each of these two weaves has its merits. The former gives better cover with its sloping tuft, while the latter claims an increased resiliency and immunity from the shading in made-up carpets, so noticeable with the first-named weave.
Fig. 9 gives other but less usual structures. It may be noted that it is possible to employ jute for the tuft binding and intermediate weft shots, and at the same time a different yarn, preferably of woollen, for the bottom weft, which shows on the back. This serves to make the carpet heavier and more elastic to the tread.
Axminster may to some extent be compared with Tapestry and Chenille, in that it is essentially a two-process fabric; and the pile yarns are arranged so as to form the design before they are put into the loom. The actual method of preparation of the colours is, however, quite different from that employed in either of the other two fabrics.